David Tiley

How do you make a personal film about your father and mother when your mother develops dementia? #storminateacupabc was made by Nia Pericles from @artemisfilms https://t.co/RfrXhdzsqV

RT @ScreenAustralia: .@artemisfilms Managing Director @chgtait on the importance of Australian stories and making documentaries with a soci…

You can imagine how happy everyone is about this. Living proof that a prime global player is properly launched under his own shingle.

Tony Ayres @tonyayres

So this has been keeping me off the streets lately https://t.co/e7diENGAe8

This is pretty fabulous.

Accessibility Unlocked 🔑 @accessunlockanz

Our mission is to raise awareness of accessibility in the Australia & New Zealand games industry as well as provide mentorship and connections to those often professionally disadvantaged due to disability.

This is a gem. Not even Screenhub in its maddest deadline frenzy has done this.

Molly Hensley-Clancy @mollyhc

Good NYT correction today https://t.co/RlbEHpB08i

Now I forgive every young director who carried on like a pork chop about his new movie.

The economics of music streaming, as seen by a radical professor who studies this very topic. This is about finding ways of prioritising the biggest streaming customers even though they pay the same. Oh dear. .

David C Lowery @davidclowery

1/x The "thought leaders" in the music business are so stupid. Been watching this article passed around for a little while now. While in some ways I get the former Sony executives point, there is so much innumeracy here I have to comment. https://t.co/8orLiq59IB

Saw Animals at @AdlFilmFest popup. Film is terrific, audience boppy, conversations about characters abound. No happy neat ending - but there is no happy ending to life. @SophHyde is very special director.

RT @MediaStockade: “The senate inquiry into Australian content on broadcast, radio and streaming services, examining the economic value of…

Turn up the sound because the music is crucial and excellent too.

Brian Phelan @secretcinema1

The opening of Fritz Lang’s Spies (1928) is just plain brilliant, so much comic book vitality in those rapid scenes @AlbertGalera @BradleyjKornish @UlteriousFilm @thepinksmoke @TATJANASL @studiotstella @coenesqued @TheCinegogue @WrongReel @Stargazer_KEA https://t.co/wXeRrwZeh8

Great scriptwriting is about learning to drive a bulldozer made of jelly and powered by dreams.

ScreenAustralia @ScreenAustralia

“Development is everything” – Jo Porter from Fremantle and nine other accomplished Aussie content creators share advice for filmmakers: https://t.co/XEqI53wf96

The Gurus Weigh In, Post-Oscar - https://t.co/jGKjW9Qolb (via @sociablesite) /blogplay.com/ https://t.co/8ud603CtL2

Well spotted.

Rebecca Barry @becbarry

For my producer friends out there ... 💪 https://t.co/KZGkel6WSB

Time we got a sense of wonder back.

abctv @ABCTV

Missed all the land’s wonders in the #MagicalLandOfOz? Watch it now on iview: https://t.co/k3gCgFQAmZ

Fiona Crombie gets a very fine award from the Art Directors Guild in the US. Roll on her and The Favourite.

Peter Caranicas @petercaranicas

Production designer Fiona Crombie accepts trophy for period feature film The Favourite at ADG Awards. #ADGawards https://t.co/JRMm8uWxhI

Tom Zubrycki https://t.co/7c4OPOV8Zu

RT @mrtonymartin: In case there was any doubt about who really runs the country: https://t.co/mCyarXEIXf