Nana Asfour

RT @nytopinion: "I realized that every day that darted by where I wasn't performing music, I became a little bit weaker -- in stamina, stre…

This weekend I'm watching: https://t.co/4mthh1otse

RT @AnnemarieJacir: LIKE TWENTY IMPOSSIBLES screening in exactly 5 minutes for free here: https://t.co/0ycmA3V7B2

On how one museum is including the voice of refugees, by @ulabeast for @NPR. Love the last line of the piece. https://t.co/H9p7fIXTwm

RT @david_j_roth: I'm biased, obviously, but I thought this was a really good bit of writing about something that feels a lot longer ago th…

RT @nytopinion: "The last time I spoke to him was on Feb. 14, 2012," @nadabakri writes. "He was in northern Syria and called me from his sa…

RT @robertasmithnyt: Thank you Hilma af Klint for shifting some of the ground under European modernism. Artistically speaking, the earth de…

RT @joumana_khatib: "The Parisian" comes out today! I spoke with the author, Isabella Hammad, about Palestine, nostalgia and her writing pr…

Orientalism 101: Vintage film posters show the Middle East as imagined by the West https://t.co/9hO6gdcEK5 via @TheEconomist

My latest piece, on why Arab films from the Middle East, two of which were up for Oscars this year, matter and need all the help and support they can get: https://t.co/AbcRnUDqbh

RT @ArabBritishCent: The International Prize for Arabic Fiction (aka the Arabic Booker) longlist was announced today. Check out the longlis…

Best films of 2018: A milestone year for Middle Eastern cinema https://t.co/oxF9Hv5Hdz via @MiddleEastEye

Director Nadine Labaki and I spoke to NPR about her new film, #capernaum https://t.co/fTwC69ScBk

"When you’re living in this part of the world, it’s not just about making another film. Every film is like a cry for help in a way," Lebanese filmmaker Nadine Labaki, director of "Capernaum," tells @_SaraAridi https://t.co/akXAVMq0UW

RT @seyyedreza: An old Arabic expression says: Cairo writes, Beirut publishes, and Baghdad reads. And if anywhere is the heart of Baghdad’…