Art Plugged
Art Plugged is a modern platform that draws inspiration from our connections with diverse art communities and our enthusiasm for highlighting exceptional artwork. We feature one-of-a-kind pieces from artists around the world.
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Articles
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1 week ago |
artplugged.co.uk | Len Gordon
As machine learning continues to reshape everything from creativity to governance, few curators are confronting its implications as incisively as Dr Nadim Samman. The Berlin-based curator and philosopher is leading Vienna Digital Cultures 2025, a festival anchored by the theme “Model Collapse”—a phrase that encapsulates the systemic failures of our time, from generative AI dysfunction and ecological breakdown to the fragmentation of political discourse and the erosion of shared truths.
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1 week ago |
artplugged.co.uk | Len Gordon
Contributing writer chronicling contemporary art’s beautiful mess — when he can get there. Survives on openings, opinions, one gallery, one artwork at a time. Considers espresso a meal.
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1 week ago |
artplugged.co.uk | Len Gordon
History doesn’t always reside in textbooks. Sometimes, it unfolds in the streets—through the posture of protest, the uniform of resistance, the stance of a person confronting state power. In 1966, in Oakland, California, Bobby Seale and Huey P. Newton co-founded the Black Panther Party, introducing a new visual and ideological language of resistance.
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2 weeks ago |
artplugged.co.uk | Len Gordon
Contributing writer chronicling contemporary art’s beautiful mess — when he can get there. Survives on openings, opinions, one gallery, one artwork at a time. Considers espresso a meal.
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2 weeks ago |
artplugged.co.uk | Len Gordon
Artist Mike Silva paints like someone whose memories course through his hands. With delicate brushwork and muted palettes, he evokes the taciturnity of private interiors, the soft ache of recollection, and the transience of light. His works don’t merely depict the past—they seem to breathe with it. Born in Sweden and based in London, Silva has become known for translating the intimate and unassuming—unmade beds, fleeting glances, the hum of lived-in rooms—into haunting, photorealistic paintings.
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