British Theatre Guide
The top independent website dedicated to UK theatre, offering a variety of content including reviews, news updates, features, interviews, podcasts, and a weekly email newsletter that highlights theatre happenings across the nation.
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Articles
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7 hours ago |
britishtheatreguide.info | Howard Loxton
Nicholas Hytner’s acclaimed 2019 production of A Midsummer Night’s Dream returns to The Bridge in this spirited revival. It is a promenade production with the stalls audience roaming the flat floor in which multiple sections will rise to make action visible, played out on a variety of bedsteads to emphasise the dream, as fairies cavort acrobatically overhead on hanging silk swings. Bunny Christie’s design works wonderfully, its technical challenges brilliantly handled by the stage crew.
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10 hours ago |
britishtheatreguide.info | Colin Davison
William Shakespeare Royal Shakespeare Company Released 25 April 2025 Share: When Gregory Doran became Artistic Director of the Royal Shakespeare Company in 2013, he decided to produce all Shakespeare’s plays without repetition and to broadcast them to cinemas.
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1 day ago |
britishtheatreguide.info | David Chadderton
Manchester is getting another British première of a new musical, this time with a subtitle that references the highest-grossing Indian film of 1995 and one of the most successful ever, Dilwale Dulhania Le Jayenge (The Brave-Hearted Will Take the Bride).
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2 days ago |
britishtheatreguide.info | Howard Loxton
Terence Rattigan was expert at showing the feeling hidden behind British reticence, but in this 1973 play, it takes a long time to see past the obnoxious behaviour of book critic Sebastian Cruttwell. Unable to sustain his early success as a novelist, he has a successful career assessing others for a posh Sunday paper. He claims to be a Marxist but behaves like a mandarin. He treats people like lackeys, especially his wife Lydia.
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2 days ago |
britishtheatreguide.info | Keith P. McKenna |Keith J. Mckenna
The world often seems to demand that women seek permission for almost everything they do. Hunia Chawla’s play explores this theme through the experience and resistance of the young woman Hanna (Anisa Butt), taking her from Pakistan to student life in London. It is told from the point of view of women, this being emphasised by the male characters being simply voice-overs.
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