British Theatre Guide
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Articles
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4 days ago |
britishtheatreguide.info | Sandra Giorgetti
"Everyone is nice on top and rough underneath," says geography teacher Terry to the recently arrived Adrianne collectively unmasking the people who unconventionally frequent her sister's home. The actual unveiling doesn’t happen quickly in this meandering, seldom seen play set firmly in the late 1970s (when it was written) by award-winning working-class writer David Storey, who has since become dubbed "the Chekhov of the North". But it's not just Chekhovian bells that ring.
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5 days ago |
britishtheatreguide.info | David Chadderton
There has been a proliferation of frantic small-cast comic adaptations of old novels—Octagon audiences have seen quite a lot over the last few years—but this 2006 adaptation of John Buchan's novel by National Theatre of Brent's Patrick Barlow, based on an earlier version by Simon Corble and Nobby Dimon, is the granddaddy of them all. It may not have been the first of its ilk, but its success at London's Tricycle Theatre (now the Kiln) and later in the West End and on tour certainly paved the way.
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5 days ago |
britishtheatreguide.info | Keith P. McKenna |Keith J. Mckenna
In March this year, the United Nations released its "State of the Global Climate report." It notes that, “globally, each of the last ten years has been one of the ten hottest years on record.” The consequences of that are terrifying.
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5 days ago |
britishtheatreguide.info | Karen Bussell
Hugely complex, beautifully engaging and rather unsatisfactory, the 10-year-old Olivier and Tony Award-winning emotional rollercoaster Dear Evan Hansen continues to provoke difficult conversations. Dealing with the big, dark issues of teenage angst, tenuous friendships, exploitation of tragedy, mental health, the desperation to belong and fractured relationships magnified and skewed by social media, Steven Leverson somehow manages to still make the piece entertaining.
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5 days ago |
britishtheatreguide.info | Keith P. McKenna |Keith J. Mckenna
As women marched the streets demanding the right to vote in 1879, Ibsen outraged society by writing the play A Doll's House in which its central character, Nora, walks out on her husband and doesn't follow the pattern of much nineteenth-century literature of women rebelling and then dying at the end of the story. Some wanted it banned. Others said Ibsen had gone too far and should have a sequel in which Nora returns and looks after her children like a good wife.
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