Broadway Baby
Broadway Baby has been around since 1996, but its transformation over the years has been remarkable. Initially, it served as a free platform for actors to showcase their CVs at a time when others were demanding high fees for simple, poorly designed single-page websites. The site functioned like a collaborative IMDB for theater, connecting shows with actors. However, it wasn't until 2004 that Publisher Pete Shaw introduced the concept of including reviews with show listings, which significantly boosted its popularity. That same year, the first Broadway Baby review was published during the Edinburgh Festival Fringe.
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#1926811
United Kingdom
#241031
Arts and Entertainment/Arts and Entertainment
#2497
Articles
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3 days ago |
broadwaybaby.com | Roger Kay
By Roger Kay | 13th May 2025 | ★★★ "Are you having a stroke?" Not exactly what inventor Jim (Paul Richards), pitching an idea to his long-term girlfriend Alison (Ruby Florence), wants to hear. But this does not transpire to be Alison’s most devastating line to Jim; it is, however, a microcosm of the personality gap between the pair.
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3 days ago |
broadwaybaby.com | Roger Kay
By Roger Kay | 13th May 2025 | ★★★★ How well can you ever really know anyone? How much do we fundamentally understand about someone, and what are the masks and defences we all employ? A triumphant and challenging smorgasbord of theatrical activityA stage solely occupied by a keyboard and microphone greets us at the BN1 Arts Centre.
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6 days ago |
broadwaybaby.com | Richard Beck
By Richard Beck | 10th May 2025 | ★★★ Ari Freed (Ilan Galkoff) strolls down the side aisle of the Marylebone Theatre and casually addresses us as though we were friends. He’s cheerful, endearing, even amusing, and pleased to see us. He’s also surprised at the number of people who have turned up—and welcomes us to his funeral.
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1 week ago |
broadwaybaby.com | Lois Zoppi
By Lois Zoppi | 7th May 2025 | ★★★ “Call me Ishmael” is one of the most recognisable opening lines in literature, and the story of Moby Dick isn’t a mystery to many people. This was both a strength and a drawback of Ross Ericson’s one-man reimagining of the tale: familiarity with the text makes it easier to enjoy, but it leaves few surprises.
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1 week ago |
broadwaybaby.com | Nicholas Abrams
By Nicholas Abrams | 4th May 2025 | ★★★ Anxiety. Trampolines. The Chuckle Brothers. Don’t Let Me Die Before Sunday is a witty, winding, and occasionally wayward one-person show from Skin & Blister Theatre, exploring the pitfalls of making theatre when your own mental health keeps interrupting the rehearsal process.
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