Cultbytes
Established in 2016, Cultbytes is an online publication focused on art and culture, led by women. It provides insights into contemporary art, offering a wide-ranging yet critical viewpoint.
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2 weeks ago |
cultbytes.com | Anna Mikaela Ekstrand
The curators of the Costume Institute‘s blockbuster exhibition commissioned Norwegian artist Sissel Tolaas to add dimensionality to the garments on view from the archives in Sleeping Beauties by creating smell profiles that visitors could experience by leaning into the walls at designated places to get a whiff. Smelling a musty dress didn’t really transport me anywhere except an old closet or a dusty attic.
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3 weeks ago |
cultbytes.com | Anna Mikaela Ekstrand
Visiting the The Frick, the Gilded Age mansion that houses Henry Clay Frick’s art collection, is both an extravagant and educational experience. From a historical perspective, the collection offers telltale signs about the rise of the United States as a leading industrial nation at the turn of the previous century. Frick, aided by the French brother duo dealers Duveen, amassed an impressive collection and built the mansion intending to open it to the public after his and his wife’s passing.
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1 month ago |
cultbytes.com | Anna Mikaela Ekstrand
Elizabeth Colomba is on a mission to bring the portraits of black women into historically male, white dominated cultural spaces. Amidst her latest solo show at Venus Over Manhattan, the gallery hosted a conversation between Colomba and her friend and fellow artist, the acclaimed actress Lucy Liu, who, through her acting, has brought Asian representation to the silver screen.
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1 month ago |
cultbytes.com | Anna Mikaela Ekstrand
Perusing the lust archive of the Internet, to contextualize Drink Me! and S.L.UT.S, I watched Andy Warhol’s Flesh (1968), or simply Flesh, directed by Paul Morrissey, yesterday. As a celebration of the glorious Joe Dallesandro, the film is a masterpiece (otherwise it is mediocre at best), and for its delicate investigation of sexual repression and fluidity, lust, and sex work, it was surprisingly current.
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Feb 20, 2025 |
cultbytes.com | Anna Mikaela Ekstrand
In a Victorian era air, the play “Shelley and Lovelace Never Met” follows its tropes—witty conversations about extramarital affairs, the travails of betrothals, and class between women in bell-shaped skirts and puff sleeves—á la the society gossip papers of the day.
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