Daily Beat
Daily Beat started in 2012 as a social media platform focused on supporting local artists through a small record label. Since then, it has grown into a prominent global media company for young audiences, with a presence in more than 20 countries.
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Articles
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1 week ago |
daily-beat.com | Justin Angle
Audio Obscura has never followed the path. Now, they’re closing one. As part of Amsterdam’s 750th anniversary celebration, the pioneering dance brand will transform the A10 highway into a massive outdoor rave on Saturday, June 21, 2025. This is not a symbolic venue choice—it’s a literal shutdown of one of the most vital traffic arteries in the Netherlands for a once-in-a-lifetime cultural moment.
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1 week ago |
daily-beat.com | Justin Angle
French producer Karasu Merodi is back with a new single called “Let Me In,” and it’s one of his most personal releases yet. Out now, the track explores themes of emotional isolation and self-protection, all wrapped in a lo-fi, electronic sound that feels soft but steady. The song follows the story of a young girl dealing with intrusive thoughts and mental noise. Instead of breaking under the pressure, she turns inward and uses music as her way out.
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2 weeks ago |
daily-beat.com | Justin Angle
Randy Perez has a sense of patience within the music. The Phoenix-based producer has built his sound slowly, night after night, set after set, city to city. From live basslines to analog synths, there’s always intention—and the new VIP version of “Not Like You” follows suit. What started as a collaborative release with Baezic now gets reworked into something sleeker, more meditative, and deeply playable. The goal with this version is precision.
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3 weeks ago |
daily-beat.com | Justin Angle
Not Yurs have reworked Kay Wagner’s “Can’t Sleep” into a functional acid-techno tool with real staying power. The remix cuts out the ambient drift of the original and replaces it with dense, loop-based movement and dry, locked-in percussion. It opens with glide—an acid motif that unfolds slowly over a stretched vocal loop—but never veers into filler. The kick pattern stays steady, and there’s no overuse of reverb or risers. Every sound is doing a job. Not Yurs built this remix for club systems.
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4 weeks ago |
daily-beat.com | Justin Angle
You take a fast growing debut single, give it to a reowned producer and a festival-season regular—and magic tends to happen. Jules Liesl’s “Cherry” gets reimagined through the slick lens of James Hurr and Karsten Sollors, transforming it from pop flirtation to tribal house weapon. The remix leans into thick percussion, a moody groove, and vocals chopped and paced for that late-night dancefloor tension.
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