Ghettoblaster Magazine
Ghettoblaster Magazine covers a wide range of topics including news, music, film, art, and culture. Our articles are insightful yet approachable, steering clear of mainstream media trends. We pride ourselves on our complete independence.
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Articles
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1 week ago |
ghettoblastermagazine.com | Tommy Johnson
Dan Greenleaf, a Vermont-born guitarist and composer, embraces the unique challenges and strengths that shape his playing, including the influence of his cerebral palsy on his approach to the instrument. Live at Ford Hall, Greenleaf’s debut album, represents an unfiltered self-portrait of an artist fully embracing his musical voice. “This is as close as I could get to who I am right now,” Greenleaf explains.
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1 week ago |
ghettoblastermagazine.com | Eddie Ugarte
FAFO is probably the acronym that I’ve been relatively happy to have come across in the past few months. I’m not sure why it’s never been used up until more recently but yeah, it’s a good one. When I think of the post-hardcore outfit Iron Lung, that’s what comes to mind.
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2 weeks ago |
ghettoblastermagazine.com | Eddie Ugarte
With Hex Key (Epitaph), the third long-player by Atlanta-by-way-of-Los-Angeles-by-way-of-Austin Mamalarky, the group doesn’t stray from its pop sensibilities.
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2 weeks ago |
ghettoblastermagazine.com | Diego Flores
Los Angeles hip-hop trailblazers The Pharcyde present the 1999 WRITE THE FUTURE-directed music video for “Timeless,” the Rick Rock-produced title track to the group’s new release coming May 2 on 88rising. The single marks the official reunion of Imani, Slimkid3, and Fatlip, and leads a project created in collaboration with RCA Records and 1999 WRITE THE FUTURE, a collective known for genre-defying cross-generational work.
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3 weeks ago |
ghettoblastermagazine.com | Eddie Ugarte
Oh that L.A. Witch returns with its third full-length release Doggod (Suicide Squeeze Records), a palindrome and ancient Scottish word meaning “do-gooder.” Yes, I did my research. Now with the band’s new album, much has remained the same while it’s translated into the group’s sound that’s showing a progression. When I say things have remained the same, I’m generalizing to the fact L.A. Witch, Sade Sanchez, Ellie English, and Irita Pai, continue on its gloomy, boozy garage rock pace it has been on.
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