Magnet Magazine
Magnet is a music publication that primarily highlights alternative, independent, and non-mainstream bands.
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Articles
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1 week ago |
magnetmagazine.com | Bill Meyer
Titles are often clues to an artist’s intentions, but Words Were Coming Out Our Ears may be more of a motivation. The album’s name evokes an overloaded state, and who in 2025 doesn’t know the feeling of wanting to shrink from too much input? But the LP imparts a very different experience, one of perpetually monitored just-rightness. The instrumental lineup of piano, drums and two double basses is sufficiently unconventional to require care, lest sounds collide or congeal.
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3 weeks ago |
magnetmagazine.com | Hobart Rowland
If there was ever a co-headliner that measures up (so to speak) to Hedwig And The Angry Inch, it’s Dagger Polyester. The Los Angeles-based artist’s brazenly theatric fusion of punk, glam and art rock has landed them on stages with Yves Tumor, Weyes Blood and the Lemon Twigs. Polyester even snatched up the Black Crowes’ Chris Robinson to produce their debut LP, Perversion For Profit, due August 1 on Broken Arrow.
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3 weeks ago |
magnetmagazine.com | Bill Meyer
Trust a man whose ideal compositional form is the palindrome to reckon with this axiom: Everything comes back to where you started, then you start over again. 2023’s American Landscapes, the last record by Dutch lutenist/multi-instrumentalist Jozef Van Wissem and American guitarist/filmmaker Jim Jarmusch, ground their sound down to the essentials of pealing feedback and patiently cycling lute melodies, then let it sprawl, taking up all available space.
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3 weeks ago |
magnetmagazine.com | Hobart Rowland
True to the untamed Canadian ethos, Born Ruffians chafe at categorization. Over the past dozen or so years, they’ve ramped up, polished and generally tampered with their hooky indie-rock sound, reaching a sublime sort of classic-rock-inspired peak with 2020/21’s three-album, beverage-inspired Juice, Squeeze and Pulp.
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3 weeks ago |
magnetmagazine.com | Hobart Rowland
Though he’s often defined by his affinity for NOLA funk and Chicago blues, Eli Paperboy Reed is an East Coast commodity, born and raised in Brookline, Mass. His 2005 debut was recorded 15 minutes away in a basement studio in Boston’s Allston neighborhood. It was tracked live to analog tape in mono and pressed in a limited run of 300 CDs, which Reed sold mostly while busking in Cambridge.
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