Nightmare Magazine
Nightmare is a digital magazine focused on horror and dark fantasy, curated by John Joseph Adams. Every month, a new issue is released as an e-book on the first day of the month, priced at $2.99, and subscriptions can be purchased as well. For readers who prefer not to pay or don’t own e-readers, we offer our content for free throughout the month, with a new story available each Wednesday at nightmare-magazine.com.
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Articles
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1 month ago |
nightmare-magazine.com | Wendy Wagner |Alex Puncekar
“Pezcara” is a fascinating tale. Where did you get the initial idea(s)? What was your writing process like, and was it different from how you usually write? “Pezcara” is the last story I wrote during my Clarion West workshop back in 2022. It’s my culminating story from that six-week workshop experience, the story that feels the most me.
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1 month ago |
nightmare-magazine.com | Wendy Wagner |Zoe Kerr
In late 2023, I noticed a new subgenre on the horizon, emerging from the intersection of celebrity culture and horror. I call it “Stage Fright”—save the groans, it’s a working title. With the release of Trap, Smile 2, and MaXXXine, this new wave reflects a zeitgeist increasingly disillusioned with the glittering facades of billionaires and icons, and eagerly tuning in when these stars find themselves ensnared in tragic circumstances.
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1 month ago |
nightmare-magazine.com | Wendy Wagner
Welcome to Issue #150 of Nightmare Magazine!It takes time to assemble a magazine issue, which means that while you’re reading this editorial in March, I’m writing it in January. Where you sit, David Lynch has been dead for a month and a half. For me, it’s a recent occurrence. There are few creators who have had a bigger impact on my thoughts about creativity or about the power and importance of horror like David Lynch.
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1 month ago |
nightmare-magazine.com | Wendy Wagner |Lincoln Michel
CW: none. They went to the island not to save the marriage—for the marriage hadn’t yet occurred—but to save the possibility of the marriage. It’d been a rough year, Carla knew. The details were banal. Stress at work and stress at home. The economy collapsing. The political system collapsing. The planet burning. Despite all this, when her fiancé, Anton, proposed a vacation, she balked. “That’s the last thing we can afford,” Carla said. “We can’t afford not to. Destressing is important.
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1 month ago |
nightmare-magazine.com | Wendy Wagner |Neil McRobert
The tagline to Tobe Hooper’s The Texas Chainsaw Massacre asks: “Who will survive and what will be left of them?” Like so many things about that movie, it skewers the wriggling crux of horror. Because all horror stories are about survival, aren’t they? It’s the shadow cast at the heart of the genre. The thing in the dark, in the closet, under our beds; the thing with the knife, the teeth . . . or the roaring chainsaw—they are all just different costumes draped upon the same bony shoulders.
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