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  • 1 week ago | notthatrobthomas.substack.com | Rob Thomas

    If the Coen Brothers had spent a summer working behind the counter at Joann Fabrics when they were teenagers, the result might be “Sew Torn.”In writer-director Freddy MacDonald’s stylish and witty debut, a resourceful seamstress finds that her sewing box may be her superpower in outwitting gangsters and attempting to steal a suitcase full of cash. With its unconventional narrative structure, clever action staging and black humor, “Sew Torn” threads the needle between thriller and comedy.

  • 1 week ago | notthatrobthomas.substack.com | Rob Thomas

    I’m old enough to remember when Josh Hartnett was the handsome young dude of the early ‘00s, an actor that Hollywood was trying to foist upon us in movies like “Pearl Harbor” and “30 Days and 30 Nights” despite being bland as dishwater. But a couple of decades and a little seasoning have made Hartnett no less handsome, but a good deal more interesting.

  • 2 weeks ago | notthatrobthomas.substack.com | Rob Thomas

    If it feels like I just wrote about “Last Breath,” I did. The movie whooshed through theaters at the end of February, was on VOD a few weeks later, and started streaming this week on Peacock as well as being available to buy on DVD/Blu-ray. Whoosh!Now that it’s widely available to watch at home, I do hope people catch up with it. It’s a sturdy, old-fashioned based-on-a-true-story adventure that prizes authenticity over dazzle, with strong performances and a tight 93-minute running time.

  • 3 weeks ago | notthatrobthomas.substack.com | Rob Thomas

    One of the great things about being a kid in the 1980s is that you never knew when an ostensibly family-friendly movie was going to scar you for life. Filmmakers of that era, perhaps still carrying the wounds from the ending of “Old Yeller,” often didn’t feel the need to sugarcoat or soften the emotional highs and lows of their family-friendly movies. As a result, just say the name “Artax” to a Gen-Xer and watch the tears well up in their eyes.

  • 3 weeks ago | notthatrobthomas.substack.com | Rob Thomas

    Get yourself somebody who looks at you the way the characters in “On Swift Horses” look at a matchbook. In Daniel Minahan’s 1950s-set drama, every time a character encounters a book of matches advertising a hotel or a bar, the cardboard sleeve serves as a tiny reminder of a world they desperately wish to enter, filling them with longing.

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