Articles
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1 week ago |
jillianhess.substack.com | Jillian Hess
This is how Didion defines a writer: “a person whose most absorbed and passionate hours are spent arranging words on pieces of paper.” Anyone who has read Didion’s writing will not be surprised by this definition—her prose could only have been written by a person who passionately arranged words, hour after hour, day after day. Before I went to see Joan Didion’s papers at the New York Public Library, I read all the reports claiming the archive gives us new insight into Didion’s writing process.
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2 weeks ago |
jillianhess.substack.com | Jillian Hess
As an academic, summers have always been my best writing time. Suddenly, the days are longer, and my calendar opens up. I fill these longer days with writing projects. So, for our June edition of the Commonplace Book Club (CBC), I will focus on the writing process. Every morning, I’ll share a favorite quote about writing and creativity. I’m thinking of this as a way to kickstart my writing days.
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3 weeks ago |
jillianhess.substack.com | Jillian Hess
Joan Didion (1934-2021) has been much in the news lately. In a span of days, her archives at the New York Public Library opened to the public and a posthumous collection of her notes from meetings with her psychiatrist were released as Notes to John. I, of course, have thoughts on this publication—but I’ll get to them in this week’s post script because my ideas are tied to my experience in her archive, where I spent two days last week.
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1 month ago |
jillianhess.substack.com | Jillian Hess
This past winter, I set out to read every thing Mary Oliver ever wrote and to listen to every interview she gave. Here is what I learned: as creatives, we must enjoy our creations, and we must respect the source of our creativity.
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1 month ago |
jillianhess.substack.com | Jillian Hess
Franz Kafka (1883-1924) left instructions: Upon his death, all “diaries, manuscripts, letters…sketches, and so on” should be burnt. Kafka also left his papers to the one person he knew would not burn them—his greatest literary advocate, Max Brod. Deciding to leave his papers to Brod reflects Kafka’s deep ambivalence, according to Ross Benjamin, who recently translated the diaries.
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