Plaster Magazine
Plaster is the art magazine designed to be enjoyable and easy to digest. Established in 2020, Plaster began as a printed poster magazine, with each issue focused on one individual artist. In 2023, we expanded by introducing our digital platform and special print editions, exploring contemporary visual art and the intriguing, quirky world that comes with it. Our magazine addresses the need for quality journalism and storytelling in the art world. We pride ourselves on our honest and humorous approach, showcasing unique personalities and a striking visual style, blending satire with sincerity in just the right measure.
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Articles
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1 week ago |
plastermagazine.com | Izzy Bilkus
17 min read In the first edition of our no-holds-barred debate series, Matthew Holman rounds up four leading art critics to discuss: does art criticism still have a pulse?
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1 week ago |
plastermagazine.com | Izzy Bilkus
8 min read After a period of restraint, Katy Moran lets rip – scaling up and stripping back in her new paintings at Pippy Houldsworth, inspired by the Hertfordshire countryside When Katy Moran named her latest exhibition, ‘Let’s Get Some Air’, at Pippy Houldsworth gallery, it wasn’t just a nod to the pastoral surroundings of her Hertfordshire home. It was a quiet exhale that captures the spaciousness that defines her new work, rooted in intuition, openness and the kind of deliberate stillness...
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1 week ago |
plastermagazine.com | Izzy Bilkus
Has your experience skateboarding influenced your painting? Not so much aesthetically but definitely in terms of determination. I think you learn so many things about pushing yourself as a skater, and the repetition of perfecting a trick. When I was designing skateboards I would make installations and photograph them and bring in other contemporary artists I wanted to collaborate with.
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1 week ago |
plastermagazine.com | Izzy Bilkus
10 min read Divine Machinery is an eerie aesthetic of malfunction and meaning lost in the feed.
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2 weeks ago |
plastermagazine.com | Izzy Bilkus
13 min read Armed with a half-baked plan, Benji Johnson ventured into the South African Karoo to make sense of the art and artists at AfrikaBurn festival We left at 4 am for the South African Karoo in convoy with two friends; four journeying four hours north of Cape Town, only stopping twice for coffee and to send last messages to loved ones. A rather large concern of mine was that AfrikaBurn as a festival has no mobile signal or data. It is designed to separate itself from the “default...
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