Plough Quarterly Magazine
Plough Quarterly is an innovative magazine that shares stories, ideas, and cultural insights aimed at inspiring both faith and action. Additionally, we provide new perspectives and insights every day on our website.
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Articles
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3 weeks ago |
plough.com | Dan Grote
In the federal prison system, all inmates are required to hold a job. Unfortunately, on any given day, at most prisons, the number of able-bodied inmates outnumbers, often greatly, the actual number of jobs available. As a result, many of my fellow prisoners are “employed” only on paper. Now, I am originally from Chicago, a pioneer in the field of “no-show” jobs, so this doesn’t shock me.
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2 months ago |
plough.com | Tish Harrison Warren
This essay is the introduction to Jesus Changes Everything: A New World Made Possible by Stanley Hauerwas (Plough, March 2025). Stanley Hauerwas feels larger than life. He’s funny. He’s insightful. He grew up a blue-collar kid in small-town Texas, which lends a grit and plainspokenness to his theological work that keeps us all on the hook.
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2 months ago |
plough.com | Christian Wiman
Read Among the monks was one who kept apart. A gifted pray-er, they said of him, who sensed my faith was mostly faith in art. A man of fluent, fasted absencesthat from his tongue would come as scalding psalms,then yearlong silences of solid God. A keeper of the ancient ways, they said,(which I took to mean insane) who gleanedbetween the hapless captive and the called;and that no richer privilege could befalla muddled soul than to receive his blessing.
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2 months ago |
plough.com | Christian Wiman
This interview was conducted by Plough’s Joy Clarkson on January 24, 2025. Plough: You’ve written more than a handful of books of poetry. What is the work of the poet? Christian Wiman: That depends on the poet. But if there’s a unifying task it is to enable and advance consciousness. R. P.
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2 months ago |
plough.com | Gaetano Masciullo
A gray October weekend. My daughter Miriam and I venture outside, stepping into the quiet calm of our small town in the Po Valley of Italy. The air is damp, and fog wraps around the houses and fields, softening every outline. The few figures moving through the town appear like shadows, enveloped in a surreal stillness. The sound of our steps, small and slow, is the only note breaking the silence. As always, Miriam notices every detail.
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