Sound on Sound
Sound on Sound is a monthly music technology magazine that operates independently and is published by SOS Publications Group in Cambridge, UK. The magazine features reviews of electronic music performance and recording equipment, along with interviews with professionals in the industry. With its emphasis on technical details, it primarily targets the professional recording studio sector, as well as artist project studios and home recording fans. Since January 1994, the magazine has made all its news and articles available online on its website, often enhanced with multimedia elements like videos and audio clips related to the articles.
Outlet metrics
Global
#74669
United States
#44470
Arts and Entertainment/Music
#500
Articles
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3 weeks ago |
soundonsound.com | Sam Inglis
Rok Gulič, founder and CEO of OLLO Audio talks to Sam Inglis about the origins of the company, the launch of their brand new X1 headphones and working with dSONIQ to offer calibration via their Realphones software.
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3 weeks ago |
soundonsound.com | Robin Vincent
Speed up your S1 session navigation with these pro‑user tips. Studio One has a well-earned reputation for speed and agility. It has the sort of interface that feels fluid, integrated and easy to navigate. But that only really starts to gel once you’ve mastered a number of essential key commands and shortcuts. Otherwise, working your way through menus can be as dull as it is in any other DAW environment.
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4 weeks ago |
soundonsound.com | William Stokes
Already movers and shakers in Melbourne/Naarm’s musical underground, producer Kuya Neil and rapper Teether began collaborating in late 2020. Describing themselves as “raised by the Internet” and their sound as “future‑focused rap”, the duo draw on a combination of experimental sound art and various modern club styles, not to mention the influence of African electronic subgenre gqom.
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4 weeks ago |
soundonsound.com | Sam Inglis
In October, this magazine turns 40, and it says a lot about SOS that despite having been part of the team for two‑thirds of that time, I’m not even close to being the longest‑serving employee. When I joined the company in 1998, a new world was dawning. Steinberg had introduced Cubase VST, and my G3 Power Mac was the first personal computer capable of natively recording and mixing multitrack audio in real time.
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4 weeks ago |
soundonsound.com | Paul White
There are lots of elaborate samplers on the market, with Native Instruments’ Kontakt in particular providing a powerful platform for third‑party libraries in addition to the extensive NI portfolio of sounds. Kontakt has much to commend it, like its support for custom user interfaces, and it has some very capable onboard effects too, but it can sometimes seem like overkill for what you are actually trying to do.
Sound on Sound journalists
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