Street Photography

3 weeks ago | streetphotographymagazine.com | Bob Patterson

Podcast: Play in new window | DownloadSubscribe: Spotify | RSSBrad Jones, the featured photographer in the June 2025 issue of Street Photography Magazine, is a Brooklyn-based forensic photographer. Originally trained as a painter and illustrator, Brad discovered photography in college and spent 15 years building a successful commercial career shooting for magazines and advertising clients.

3 weeks ago | streetphotographymagazine.com | Ashley Riffo |Bob Patterson

Before he ever picked up a camera, Brad Jones was already an artist. As a kid, he could spend hours holed up in his room, painting or illustrating, completely absorbed in the process. That passion followed him to college, the place where everything shifted. He took his first photography class, and something clicked. Photography gave him the same creative focus he’d always had, but with a different kind of freedom. He didn’t have to stay inside, working on a canvas.

1 month ago | streetphotographymagazine.com | Bob Patterson

Some of our favorite submissions from members of the worldwide street photography community. Get carried along by the rhythm of the street with Olivier Lattuga-Duyck. Cristina Garlesteanu addresses finding one's voice in the era of social media pressures. James Hazelwood believes there is always plenty of time to build a body of work. Stefano Fristachi explores the identity of a fluid, inclusive, and resilient city.

1 month ago | streetphotographymagazine.com | Bob Patterson

Podcast: Play in new window | DownloadSubscribe: Spotify | RSSWhat makes a street photograph truly stand out? Is it the decisive moment, the composition, or the story it tells? In today’s episode, our guest David Herman and I explore these questions and more. David brings a unique perspective shaped by his background as a former professional photographer and his instinctive understanding of human interaction. David shares insights on how he finds connections in everyday scenes.

1 month ago | streetphotographymagazine.com | James Hazelwood |Bob Patterson

Many photographers have started and ended every day photo projects. Like ambitious projects such as podcasts, weight loss programs, and attempts to swear off yet another camera, most of these efforts end up unfulfilled. We photographers are romantic types, often bearing outsized dreams. Yet, I stubbornly entered this foray. But why? What would motivate me to tackle such a project? A Zen-like parable circulates among university art departments, describing two pottery classes held in one semester.