The MIT Press

Apr 18, 2024 | mitpress.mit.edu | Chaim Gingold |Janet Murray

Description Praise A deep dive into the trailblazing simulation game SimCity, situating it in the history of games, simulation, and computing. Building SimCity explores the history of computer simulation by chronicling one of the most influential simulation games ever made: SimCity.

Mar 5, 2024 | mitpress.mit.edu | Moheb Costandi

How the way we perceive our bodies plays a critical role in the way we perceive ourselves: stories of phantom limbs, rubber hands, anorexia, and other phenomena. The body is central to our sense of identity. It can be a canvas for self-expression, decorated with clothing, jewelry, cosmetics, tattoos, and piercings. But the body is more than that. Bodily awareness, says scientist-writer Moheb Costandi, is key to self-consciousness.

Mar 5, 2024 | mitpress.mit.edu | James Powell

Description Praise A groundbreaking chronicle of scientific ocean drilling—a crowning achievement of the twentieth century—and how it shaped our knowledge of Earth's past. Under the radar—or, rather, sonar—of most people and many scientists, for the last six decades ships have plied the world's oceans, mining the seafloor for its secrets—and quietly resolving confounding geological mysteries. Continental drift and plate tectonics. The origin of the Hawaiʻian Islands.

Mar 5, 2024 | mitpress.mit.edu | Ben Buchanan |Andrew Imbrie

AI is revolutionizing the world. Here's how democracies can come out on top. Artificial intelligence is revolutionizing the modern world. It is ubiquitous—in our homes and offices, in the present and most certainly in the future. Today, we encounter AI as our distant ancestors once encountered fire. If we manage AI well, it will become a force for good, lighting the way to many transformative inventions. If we deploy it thoughtlessly, it will advance beyond our control.

Mar 5, 2024 | mitpress.mit.edu | Tung-Hui Hu

The exhaustion, disappointment, and listlessness experienced under digital capitalism, explored through works by contemporary artists, writers, and performers. Sometimes, interacting with digital platforms, we want to be passive—in those moments of dissociation when we scroll mindlessly rather than connecting with anyone, for example, or when our only response is a shrugging “lol.” Despite encouragement by these platforms to “be yourself,” we want to be anyone but ourselves.