The Vinyl District
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Articles
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6 days ago |
thevinyldistrict.com | Roger Catlin
Since it first formed 35 years ago at the University of Buffalo, Mercury Rev has gone through a lot of phases before settling into the kind of poetic grandeur it gave its high water mark, 1998’s Deserter’s Songs and that continues to inform their latest work, last year’s Born Horses. It’s the kind of big, synth-washed saturation with guitar embellishment and booming drums that would satisfy an arena crowd.
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6 days ago |
thevinyldistrict.com | Michael Little
Celebrating Andy Shernoff in advance of his 70th birthday tomorrow. —Ed.You can’t judge a book by its cover, but LPs? A whole different story.
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6 days ago |
thevinyldistrict.com | Michael Little
What’s all the fuss about this guy? And does anyone listen to him for pleasure? Between that sepulchral voice and the black attire and the overheated Gothic death dirges, which split the difference between folk music and lurid (and despite his rep as a “poet,” not very well written) and lugubrious blues melodrama, I just don’t see (or hear) the appeal. His “dark vision” is verbosity for verbosity’s sake and might work as comedy, but the man ain’t in it for the laughs. He’s for dead real serious.
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1 week ago |
thevinyldistrict.com | Michael Little
Celebrating Ritchie Blackmore on his 80th birthday. —Ed.If I’ve never come forward publicly about the indelible mark I made on rock history at the Montreux Jazz Festival in 1971, it’s because I’m still peeved that Deep Purple saw fit to slander me as “Some stupid with a flare gun” in their big hit single “Smoke on the Water.” Firing that flare gun into the roof of the Montreux Casino may not have been the smartest thing I’ve ever done, but STUPID?
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1 week ago |
thevinyldistrict.com | Michael Little
Garage rock primitivists and noise rock provocateurs Pussy Galore will always occupy a special place in my black heart thanks to their gleefully shambolic 1986 desecration of the Rolling Stones’ Exile on Main Street. It’s ugly, incoherent, and a reckless and hilarious foray into the beyond incompetent, yet still manages to sound like a homage rather than a piss-take. Lots of bands commit to vinyl first takes—none I can think of, aside from Pussy Galore, use first tries.
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