Articles

  • Nov 21, 2024 | thespectator.com | A.S.H. Smyth |Maggie Fergusson |Alex Peake-Tomkinson |Caspar Henderson

    Anyone reading this review will know a few fundamentals of the Smileyverse: spymaster George Smiley is podgy, spectacled, middle-aged, soft-spoken, wears ill-fitting clothes, can vanish in a crowd and is routinely cuckolded by his wife over the course of all “his” novels. Thanks to the success of John le Carré’s novels about him, the Smiley canon is now (we might assume) unchangeable: so, making a virtue of necessity, novelist Nick Harkaway has gone back to his Golden Age.

  • Sep 12, 2024 | thespectator.com | Philip Clark |A.S.H. Smyth |Christopher Sandford |Sam Forster

    In 1961, the folk guitarist Barry Kornfeld moved back to Manhattan after spending a year in Boston. The Greenwich Village folk musicians he called friends, who before his trip to Boston had been enduring a hand-to-mouth existence, were now making a living playing their music in clubs along MacDougal Street — not necessarily “a good living,” Kornfeld noted, but certainly enough to get by. Kornfeld spotted another difference, too.

  • Sep 12, 2024 | thespectator.com | Christopher Sandford |Alexander Larman |A.S.H. Smyth |James Delingpole

    An unusual disclaimer greets the reader on the title page of this memoir of an actor chiefly known for starring as the lovable goofball Cosmo Kramer on the hit TV sitcom Seinfeld. “Neither the US Army nor any other component of the Department of Defense has approved, endorsed, or authorized this book,” it notes. But in the event the Pentagon probably needn’t have worried.

  • Jul 10, 2024 | spectator.com.au | A.S.H. Smyth

    ‘Is it because we see our world only darkly that we surround ourselves with lies we call time, history, reality, memory, detail, facts?’ Richard Flanagan’s memoir opens at the Ohama coal mine in Japan, once home to his father and a host of other POW slave labourers.

  • Feb 9, 2024 | thespectator.com | Adrian Brune |Robbie Mallett |mysteryBy A.S.H. Smyth |A.S.H. Smyth

    Many magicians have passed through Las Vegas since its inception somewhere around the early 1940s: David Copperfield, Penn and Teller, Criss Angel. But possibly its most renowned, yet least acclaimed, trickster was a woman named Gloria Dea.  Dea performed traditional magic — the sleight of hand stuff — but she had a specialty in billiard ball manipulation, tossing the balls so that they seem to multiply and then disappear.

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