
Aaron Peck
Journalist at Freelance
Film dude @HJNews / Utah Film Critics Association / Was once confused for Colin Farrell at Sundance / Bio-digital jazz, man
Articles
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1 month ago |
the-tls.co.uk | Aaron Peck
An illustration by Bette A. from What Art Does: An unfinished theory | © Bette A.
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Jan 6, 2025 |
aperture.org | Aaron Peck
After the fall of the Iron Curtain, the threat of nuclear war seemed abstract—even anachronistic. Recent geopolitical tensions, however, have reminded us that its reality remains contemporary. The Atomic Age, an exhibition at the Musée d’Art Moderne, Paris, feels timed to explore the recrudescence of those anxieties. It shows how artists have responded to modern physics as well as the possibilities of extinction-level destruction.
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Nov 27, 2024 |
the-tls.co.uk | Elizabeth Lowry |Lauren Elkin |Aaron Peck
Syphilitic love rat of the South Seas. Vincent van Gogh’s nemesis. The amoral genius who ditched his wife and family to flit off to French Polynesia. Paul Gauguin is the bad boy of modernist painting. His image – which he wasn’t averse to cultivating – as the savage prince of European art’s fin de siècle counterculture was already taking shape in his lifetime, and has informed his legend ever since.
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Nov 20, 2024 |
the-tls.co.uk | Aaron Peck |Lauren Elkin |Rod Mengham
It is hard not to think of André Breton’s writing desk when viewing the ambitious centenary exhibition on surrealism at the Centre Pompidou. In the permanent collection, on the floor directly below, the contents of its founder’s office are installed behind glass. A little like Freud’s consulting room, the French poet’s office is cluttered with fetishes and sculptures, and hung with paintings, both by his artistic peers and from Indigenous societies.
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Nov 6, 2024 |
the-tls.co.uk | Kathryn Hughes |Lauren Elkin |Aaron Peck
For years Isabella Stewart Gardner had been searching for a suitable Manet to hang in her eponymous Boston museum. Finally, in 1910, Bernard Berenson, acting as her adviser and scout, wrote excitedly that he had found just the thing. The picture in question was “colossal” and “vigorous”. Gardner snapped it up, and from that moment “Eugénie-Désirée Fournier Manet” (c.1866) became one of the first things visitors encountered on stepping into the museum’s Blue Room.
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This is funny and perfect because Ken is the one who finds out he needs to change.

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2 Aggies. 0 Broncos. 😎

The 2024 NFL Top 100 Players List By School 🏈 https://t.co/76Xb8Te1UZ

Don’t call it a comeback…

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