Adam White

1 week ago | independent.co.uk | Adam White

The Saturday InterviewThe visionary director of ‘Trainspotting’ and ‘Slumdog Millionaire’ has returned to horror with the sensational sequel ‘28 Years Later’. He talks to Adam White about its shocking ending, the lessons he learnt from the failure of ‘The Beach’, and what his ‘Olympics thing’ taught him about BritainFor more than 30 years, in flashy, generally two-hour-long increments, Danny Boyle has made Britain seem like the coolest place in the world.

1 week ago | independent.co.uk | Adam White

InterviewThe star of cult classics including ‘Bound’ and ‘Face/Off’ is once again stealing scenes, this time in an action thriller called ‘High Rollers’. She speaks to Adam White about the trauma of being in ‘Showgirls’, how it takes 20 years for her films to be embraced, and why she stopped doing her viral impressions of Melania TrumpGina Gershon hasn’t seen the movie she’s meant to be promoting. “I know I get kidnapped in it,” she says with a laugh.

2 weeks ago | independent.co.uk | Adam White

In FocusAs the ground-shifting murder mystery series and its belated sequel arrive on Mubi, its co-creator Mark Frost speaks to Adam White about upsetting and offending the television establishment, that notorious second-season dip, and the death of David LynchAllegedly, American television did exist before Twin Peaks.

3 weeks ago | independent.co.uk | Adam White

The Saturday InterviewThe star of ‘Jurassic World’ and ‘The Village’ plays a struggling improv comic in her very funny new film, ‘Deep Cover’. She speaks to Adam White about being aware when she’s starring in a flop movie, the hyper-fame that never materialised for her, and why her storytelling mantra is simple: more peril and more dismembermentBryce Dallas Howard has leapt to her feet, laughing wildly. “Whenever I’m on set, I’m just obsessed with danger.” She throws her arms from side to side.

3 weeks ago | independent.co.uk | Adam White

Inside FilmThe Ana de Armas spin-off ‘Ballerina’ was meant to be a Keanu-less expansion of the John Wick universe. But Reeves has slowly become integral to the new film’s marketing. It may be a bleak yet understandable sign of things to come, writes Adam WhiteWhen the screenwriter Derek Kolstad first began shopping John Wick around Hollywood in the early 2010s, it was titled Scorn, and only lightly resembled the pulpy neo-western it would eventually become.