
Adrian Barr
Articles
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Nov 29, 2024 |
backseatmafia.com | Adrian Barr
...the beginning of a mesmerising body of work... Patience is a virtue well-rewarded in techno; finding the right groove to build on then holding your nerve long enough to pay off the wait at the optimum moment is a much more skillful endeavour than it would seem for such a minimalistic style. And few display this talent better than Detroit originals Scan 7.
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Nov 25, 2024 |
backseatmafia.com | Adrian Barr
...Jam packed with grooves... There are people who think that the terms JAMES LAST and FUNKY MUSIC cannot be used in the same sentence. These people may know James Last, but they certainly don’t know the whole of James Last.
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Nov 22, 2024 |
backseatmafia.com | Adrian Barr
...Heavy unrelenting techno bliss... Following 5 years in Berlin, two albums and a continuing residency at Tresor all bringing acclaim, Maedon is now an established voice and one also in transition. The 8th release for her own Rant & Rave label announces this in its title, 2.0, and its sound, a bold move away from her industrial roots towards the groove-laden techno that earned her bones im Keller.
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Nov 17, 2024 |
backseatmafia.com | Adrian Barr
...A perfect two sider... Erich Fromm‘s “Escape from Freedom” was published 83 years ago. His assumption was that modern man, having freed himself from the shackles of the old days and living freely, longs to return to the totalitarian, destructive and conformist world. In 2024, the pluralistic and individualized way of life of the so-called West seems self-evident. Boundless freedom is suggested – but we continue to flee. Utopias are crumbling and conservatism is experiencing a renaissance.
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Oct 17, 2024 |
backseatmafia.com | Adrian Barr
...an enchanting spell of ambient laid back lushness... A chance encounter with an old school friend provided the inspiration for It All Levels Out, the 10th album from the Bristolian electronic producer Minotaur Shock, aka David Edwards. The original plan for the album was to make something a bit looser than usual; more ambient but still melodic, like the 90s music that made a big impression on Edwards, such as Global Communication and Aphex Twin’s Selected Ambient Works Vol 2.
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