Articles

  • Oct 21, 2024 | thecritic.co.uk | Aidan Harte

    How conflict over land ownership shaped conflict over Ireland During Irish summers of the 1980s, my brother and I would buy lollipops in the local pub, which functioned by day as a newsagent and grocery. It was a shebeen really, little bigger than a confession box with greasy fly catchers dangling from the ceiling like stalactites. If we gave the ancient proprietor any backtalk, she ejected us with no lollies, screaming, “Your relative got my relative hanged!”That hanging occurred in 1824.

  • Oct 13, 2024 | theamericanconservative.com | Aidan Harte

    Joe Biden has a new neighbor. Pennsylvania Avenue’s latest attraction is a 58-foot-long anti-war monument. A Soldier’s Journey, a frieze composed of 38 larger-than-life realistic figures, tells the story of one American “doughboy” from enlistment to return. A decade in the making by Sabin Howard, this bronze Iliad is epic in scale, operatic in tone and beautifully executed. Notwithstanding these qualities, discovering an indictment of war’s folly here is surprising.

  • May 17, 2024 | thecritic.co.uk | Aidan Harte

    The art establishment has revived competent drawing in spite of itself Stop me if you’ve heard it before. A Filipino, a Romani Gypsy, a Sikh and a Black woman walk into the Tate Modern … Actually, it’s no joke. This is the 2024 Turner Prize shortlist. That all of this year’s contenders are British minorities is not unusual. Last year’s shortlist consisted of two gay men, a Black woman and a woman who said, “I’m Jewish and I’m Chinese. I’m also neither…”. The year before that?

  • May 8, 2024 | thecritic.co.uk | Aidan Harte

    For all its pretentiousness, the Venice Biennale still hints towards higher truths The historian William Dalrymple once visited Mar Saba, an ancient monastery north of the Dead Sea, to research a Byzantine saint.

  • Apr 13, 2024 | thecritic.co.uk | Aidan Harte

    The chisel of the Irish-German sculptor Imogen Stuart has fallen silent. 96 years old, she died last week surrounded by four generations of her family in Dublin. The President of Ireland paying tribute to an artist he admired and knew, said that the nation is “deeply indebted” to her. And so it is – but the Ireland that Imogen Stuart came to in 1949 was not the Ireland that mourns her now. That Ireland is lost, as lost as the Weimar Germany into which she was born in 1927 is lost.

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