
Aimee Dawson
Writer and Editor at Freelance
Writer, editor, podcast producer. Talks about art, social media, MENA, doggos. Formerly @TheArtNewspaper. Commissions: [email protected]
Articles
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3 weeks ago |
theartnewspaper.com | Aimee Dawson
Once a Silicon Valley software engineer and now an artist with a focus on the digital, Gretchen Andrew creates works that make the invisible impacts of technology visible. Her latest series takes aim at the unachievable beauty standards that are being created and perpetuated on social media. “When I grew up it was commonly said that celebrities and pageant queens made beauty standards ‘impossible’. Now, they are literally impossible,” Andrew says.
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1 month ago |
theartnewspaper.com | Aimee Dawson
Have you ever heard of Letterboxd? It’s a social network for discovering, reviewing and chatting about films. And what about Pokémon GO, the gaming app that uses GPS technology and augmented reality to show animated characters on a screen that players can “collect” while moving about the real world? Well, a new app for art exhibitions has launched that is a cross between the two.
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2 months ago |
theartnewspaper.com | Aimee Dawson
While the same big names often dominate the top 20 most-followed museums on social media in our annual Visitor Figures report, it is interesting to see which museums have the highest percentage growth, year on year.
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2 months ago |
theartnewspaper.com | Ben Luke |David Clack |Julia Michalska |Aimee Dawson
Monkman was born in 1965 in St Mary’s, Ontario, and today lives and works between New York City and Toronto. He is a member of the Fisher River Cree Nation in Treaty 5 Territory, in Manitoba, Canada, and uses the language of European and North American art to reflect on Indigenous experiences.
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2 months ago |
theartnewspaper.com | Lee Cheshire |Aimee Dawson |Alexander Morrison |Gareth Harris
Meaning “gateway” in Arabic, the Bawwaba section of Art Dubai offers artists an entry point to the fair. It is made up of ten solo presentations of artists both established and less well-known. All of the works were made either in the past year, or especially for the fair. This year the section has been curated by Mirjam Varadinis, the curator-at-large at the Kunsthaus Zurich. “I felt this would be a good moment to reflect on the idea of co-existence,” she says.
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