Aimee Dawson
Writer and Editor at Freelance
Writer, editor, podcast producer. Talks about art, social media, MENA, doggos. Formerly @TheArtNewspaper. Commissions: [email protected]
Articles
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1 week ago |
theartnewspaper.com | Ben Luke |David Clack |Julia Michalska |Aimee Dawson
Monkman was born in 1965 in St Mary’s, Ontario, and today lives and works between New York City and Toronto. He is a member of the Fisher River Cree Nation in Treaty 5 Territory, in Manitoba, Canada, and uses the language of European and North American art to reflect on Indigenous experiences.
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1 week ago |
theartnewspaper.com | Lee Cheshire |Aimee Dawson |Alexander Morrison |Gareth Harris
Meaning “gateway” in Arabic, the Bawwaba section of Art Dubai offers artists an entry point to the fair. It is made up of ten solo presentations of artists both established and less well-known. All of the works were made either in the past year, or especially for the fair. This year the section has been curated by Mirjam Varadinis, the curator-at-large at the Kunsthaus Zurich. “I felt this would be a good moment to reflect on the idea of co-existence,” she says.
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1 week ago |
theartnewspaper.com | Melissa Gronlund |Aimee Dawson |Ann Binlot
There are 30 new exhibitors at Art Dubai this year but the framework remains the same. The VIP crowds will sit in the lounge by the lapping waters of the Madinat Jumeirah’s lagoon; the Lebanese lunch options will be served up in large portions; and gallerists will listen out for what new accents and languages are coming en masse this year. But if Art Dubai opens in a familiar landscape, the context of art fairs has changed dramatically.
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1 week ago |
theartnewspaper.com | Aimee Dawson |David Clack |Ben Luke |Margaret Carrigan
Welcome to In Focus, a new podcast from The Art Newspaper produced in partnership with the world's leading arts and culture organisations, institutions and events. In this episode, we're in partnership with Art Dubai, as the 18th edition of the art fair comes to Madinat Jumeirah.
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2 weeks ago |
artnewspaper.fr | Aimee Dawson |Stéphane Renault
Le paysage des réseaux sociaux a connu d’énormes bouleversements au cours de l’année écoulée. Avec l’exode de X pour des raisons éthiques, la crainte d’une interdiction permanente de TikTok aux États-Unis et la montée en puissance de nouvelles plateformes, il est difficile pour les institutions telles que les musées de savoir où concentrer leurs efforts en matière de réseaux sociaux pour en tirer le meilleur parti.
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