Aimee Walleston

2 weeks ago | ocula.com | Aimee Walleston

At 72 years old, an artist like Rosemarie Trockel could easily stop trying to make important work, and instead lazily recycle her oeuvre to secure her legacy and cash in on her reputation. The fact that she is crafting exhibitions that, in some ways, surpass those she presented decades ago is a testament to Trockel’s singularity as an artist. Her latest show is a two-part presentation, with works displayed concurrently at Gladstone and Sprüth Magers in New York.

Jun 11, 2023 | theblaze.com | Aimee Walleston

When regarding prehistoric cave paintings and contemplating human identity, one imagines a time when it is possible that the question Who am I? was less externally determined than simply understood through comparison: threat versus prey, dead versus living, male versus female. Millennia onward, human identity is now in a stage of almost unbearable variation and malleability.