
Articles
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1 week ago |
anothermag.com | Alex Denney
From Paolo Sorrentino’s new Neapolitan drama to a scorching erotic thriller from Karim Ainouz, here are the best films to see this month From May 2In Paolo Sorrentino’s first film to revolve around a female protagonist, everyone wants to know what Parthenope is thinking. It’s a question you imagine the director struggled with in developing the character, a young Neapolitan woman (Celeste Dalla Porta) named after a Greek siren whose beauty brings destruction in its wake.
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1 month ago |
anothermag.com | Alex Denney
The 78th edition of the iconic festival will showcase new films from Ari Aster, Wes Anderson, Kelly Reichardt and more Citing the success of Anora, The Substance and Emilia Pérez as markers of its continued pre-eminence, Thierry Frémaux unveiled the lineup for the Cannes Film Festival’s 78th edition yesterday, with new films from Scarlett Johansson, Ari Aster, Wes Anderson and Joachim Trier all screening.
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1 month ago |
anothermag.com | Alex Denney |TextAlex Denney
The pick of this month’s cinematic crop includes Alex Garland’s first film as co-director, and an enigmatic new tale from Georgian visionary Dea Kulumbegashvili From April 18In conversation with AnOther for Civil War, his surprisingly straight-laced sci-fi action flick of last year, Alex Garland spoke of his admiration for the old-school, “just the facts” mode of news reporting.
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1 month ago |
anothermag.com | Alex Denney |TextAlex Denney
As his provocative new film about a priest and murderer is released, Alain Guiraudie talks about death, nature, and the great mystery of desire We’re in a blandly upmarket hotel in central London, the kind where Queen’s Don’t Stop Me Now pipes softly from the function-room PA for no particular reason, and Alain Guiraudie is explaining to me the importance of seeing a priest’s erection in his new film, Misericordia.
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1 month ago |
anothermag.com | Alex Denney |TextAlex Denney
Dan Erickson’s surrealist workplace drama rediscovered its mojo after a tricky second series, even if some mysteries are best left unsolved And, bam! After seven hours in which it sparked, guttered and threatened to lose its way completely, the second season of Severance exploded into life with a finale that made good on its missteps. Am I the only one who felt this way about the new instalment of Dan Erickson’s surrealist workplace show?
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