Articles
-
4 days ago |
neonmusic.co.uk | Alex Harris
Ethel Cain’s Nettles song artworkWhen Ethel Cain announced Nettles as the lead single from her upcoming album Willoughby Tucker, I’ll Always Love You, fans didn’t just get excited—they spiralled. After months of cryptic teasers and dormant socials, the June 4 release felt like a spiritual event. Comments poured in describing it as “already a classic” before it even dropped. People cleared their schedules. Some even joked about writing their dissertations on it.
-
6 days ago |
neonmusic.co.uk | Alex Harris
Miley Cyrus’ Something Beautiful album artworkReleased on May 30, 2025, as the fourth single from Something Beautiful, Miley Cyrus’ Easy Lover didn’t just arrive fully formed—it arrived fully reclaimed. First conceived in the Plastic Hearts era, left untouched, and later offered to Beyoncé, the song lingered until it found its true home in Cyrus’ hands. “Tell ’em, B” isn’t a mystery anymore.
-
1 week ago |
neonmusic.co.uk | Alex Harris
Halsey & Amy Lee’s Hand That Feeds song artworkHalsey & Amy Lee’s Hand That Feeds, released on 9 May 2025, isn’t a power ballad. It’s not a scream either. It sits somewhere in between—restless, deliberate, and more fed-up than dramatic. Written for the Ballerina soundtrack—the John Wick spinoff starring Ana de Armas—the track leans hard into its cinematic roots without losing its grip on emotional detail. The production doesn’t overreach.
-
1 week ago |
neonmusic.co.uk | Alex Harris
Conan Gray’s This Song cover artworkConan Gray released This Song on May 30, 2025, as a soft-edged chapter in the emotional arc of his upcoming album Wishbone, due August 9. Where some songs cry or collapse, this one coasts—with a warmth that builds slowly, like sunlight through curtains. It doesn’t wrestle with heartbreak. It reflects on connection, timing, and the moments that almost slip past.
-
1 week ago |
neonmusic.co.uk | Alex Harris
Released on 29 May 2025 as the second single from her upcoming album Virgin, Man of the Year doesn’t offer a clean narrative arc—it’s a portrait in flux. It follows the sparse and shadowy What Was That, but where that track quietly set the scene, this one bursts into a more visceral realm of identity, body, and reinvention. This isn’t Lorde trying on a persona. This is her removing the last one.
Try JournoFinder For Free
Search and contact over 1M+ journalist profiles, browse 100M+ articles, and unlock powerful PR tools.
Start Your 7-Day Free Trial →