Alex Needham
Arts Editor at The Guardian
Arts editor, the Guardian, no longer tweeting. Email: [email protected]. He/him.
Articles
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3 weeks ago |
theguardian.com | Alex Needham
There are three kinds of family, muses the novelist and poet Ocean Vuong. There’s the nuclear family, “which often we talk about as the central tenet of American life”. There’s the chosen family, “the pushback”, the community and friendships built by people who have been rejected by their parents, often because of their sexuality or gender identity.
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Feb 24, 2025 |
msn.com | Alex Needham
Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.
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Feb 24, 2025 |
theguardian.com | Alex Needham
Lubaina Himid, the artist known for her large stage-set-style installations that draw attention to figures overlooked by history, has been picked by the British Council to represent the UK at the 2026 Venice Biennale. “I’m energised and so up for it,” the artist said of the challenge to fill the British pavilion with her work at “the Olympics of art”.
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Feb 17, 2025 |
wmagazine.com | Alex Needham |Jeff Henrikson |Claudia Sinclair
Rouy in his own clothing and accessories. When George Rouy arrived at Camberwell College of Arts in London, in 2012, he was dismayed to find that his talent for life drawing seemed to count for little. “Figurative painting was the most untrendy, non-vogue thing to do,” he says. “So I felt a bit lost.
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Feb 10, 2025 |
theguardian.com | Alex Needham
In 1977, the punk band Buzzcocks released a single called Orgasm Addict, with a record sleeve as jolting as the song’s title. It depicted a lean and muscular, oiled-up naked woman with an iron for a head and smiling, lipsticked mouths for nipples. The collage was scary, sexy and shocking – especially since it was mass produced, seen in record shops and on the streets, rather than confined to a gallery.
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