Articles
-
1 week ago |
theguardian.com | Alexis Petridis |Laura Snapes
Laura Snapes, deputy music editor I was set the task of not listening to Spotify for a week, but Alexis, your task was much worse: only listening to Spotify-created playlists, and the songs it suggested to you based on your listening history. How did that go? Alexis Petridis, chief rock and pop critic One day in the car I just listened to nothing instead of facing it again. When it plays me songs I like, it’s not what I want to hear at that moment.
-
1 week ago |
msn.com | Alexis Petridis
Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.
-
2 weeks ago |
msn.com | Alexis Petridis
Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.
-
2 weeks ago |
theguardian.com | Alexis Petridis
It seems weirdly fitting that Pulp have premiered their first album in 24 years with a song that appears to fret about the validity of returning at all. Of all the alt-rock artists hoisted to mainstream fame in the Britpop era, they were the ones who seemed least comfortable with the kind of attention it brought them: a perennially ignored band who’d spent a decade striving to get somewhere, only to find they didn’t much like it when they did.
-
2 weeks ago |
theguardian.com | Alexis Petridis
20. Moonraker (End Title) (1979)Shirley Bassey apparently hated this Bond theme, protesting that the lyrics were nonsensical. She never performed it live. It’s certainly not up to previous standards, but the disco version that accompanies the film’s end credits is worth hearing – better than her attempt to rejig This Is My Life for the 70s dancefloor. 19.
Try JournoFinder For Free
Search and contact over 1M+ journalist profiles, browse 100M+ articles, and unlock powerful PR tools.
Start Your 7-Day Free Trial →X (formerly Twitter)
- Followers
- 1
- Tweets
- 79
- DMs Open
- Yes