Allison Considine

2 months ago | newyorktheatreguide.com | Allison Considine

The camera loves Sarah Snook. In this one-woman stage adaptation of Oscar Wilde’s only novel, The Picture of Dorian Gray, Snook masterfully plays to both the camera and the audience at the Music Box Theatre in a career-defining performance. The Picture of Dorian Gray flips the script on the solo show and offers the most innovative use of cameras on Broadway to date.

2 months ago | americantheatre.org | Allison Considine

I’m in the process of moving to a new apartment, just three miles away in another Brooklyn neighborhood. But this move feels big—I’ve lived in my current place for 11 years, the longest I’ve lived anywhere. I moved in the same month I started as an editorial assistant at American Theatre magazine. It was my first post-college lease, and like so many other theatre graduates, I felt rudderless after graduation and entirely overwhelmed by the transition to the “real world” in New York City.

2 months ago | newyorktheatreguide.com | Allison Considine

“There is no straight line to telling this story,” says Joshua, the protagonist of Joshua Harmon’s We Had a World. The world-premiere, autobiographical memory play mirrors this sentiment with its nonlinear structure, as Joshua (Andrew Barth Feldman) shifts back and forth through time to chronicle his family's troubles. We Had a World offers a fresh take on the family drama genre, with an inventive structure, surprising humor, and a story that tugs heartstrings.

2 months ago | buffalonews.com | Allison Considine

National Fuel Gas CEO David Bauer’s recent opinion piece attacking the NY HEAT Act is riddled with misinformation designed to protect the financial interests of gas utilities, rather than the pocketbooks of everyday New Yorkers. Let’s be clear: the NY HEAT Act is not a costly government mandate. It  will save New Yorkers money and protect them from volatile energy prices.

Mar 9, 2025 | newyorktheatreguide.com | Allison Considine

A group of college housemates pulling an all-nighter is stressful enough, but throw in some Red Bull, Adderall, and a whole lot of secrets, and it becomes a powder keg of drama. Natalie Margolin’s All Nighter brilliantly captures the frenetic energy of a group of college women sharing space and mining the complexities of friendship — all over tubs of hummus and notes for the psychology exam. It may be the best portrayal of college girls on stage ever.