Álvaro de Benito

6 days ago | artealdia.com | Patricia Navarro |Maria Sancho-Arroyo |Álvaro de Benito

The end of 2024 and the beginning of 2025 were marked by palpable euphoria in the art market, particularly in Miami during December’s fair week. The recent outcome of the U.S. elections and the return of Donald Trump to the presidency initially generated optimism among collectors and art professionals. It was expected that the new administration would boost liquidity in the U.S. market, with positive effects on the global art market.

Jan 16, 2025 | artealdia.com | Álvaro de Benito

VETA by Fer Francés presents the first solo exhibition of Larry Madrigal (Los Angeles, USA, 1986), one of the latest artists to join the list of those represented by the Madrid gallery. Too Good to be True presents about twenty portraits that revolve around the background of human relationships, interpersonal connection and intimacy, themes that the Mexican-American artist is considering after becoming a father and radically changing his interest in political art.

Jan 15, 2025 | artealdia.com | Álvaro de Benito

News A COMPLETE VISION TO THE CULTURAL AMAZON AT CCCB By Álvaro de Benito The CCCB (Center of Contemporary Culture of Barcelona) dedicates a wide, meticulous and interesting exhibition that takes us into the natural and cultural heritage of the Amazon, with special emphasis on the art and thought of the cities and indigenous communities of the region. Amazonia.

Jan 15, 2025 | artealdia.com | Álvaro de Benito

Aquello expuesto en Peruvian Independence in the MUDEC Collections (La independencia peruana en las colecciones del MUDEC) revela la resiliencia de las culturas indígenas de Perú, su adaptación a entornos hostiles y su papel en la formación del Imperio Inca. El período colonial trajo una mezcla cultural, pero también resistencia, reflejada en motivos simbólicos ocultos en los textiles.

Jan 15, 2025 | artealdia.com | Álvaro de Benito

VETA by Fer Francés presents the first solo exhibition of Larry Madrigal (Los Angeles, USA, 1986), one of the latest artists to join the list of those represented by the Madrid gallery. Too Good to be True presents about twenty portraits that revolve around the background of human relationships, interpersonal connection and intimacy, themes that the Mexican-American artist is considering after becoming a father and radically changing his interest in political art.