
Amie Elizabeth White
Articles
-
1 week ago |
countrylife.co.uk | Carla Passino |Amie Elizabeth White |Rosie Paterson
Dead Salmon, Mouse’s Back, Elephant’s Breath. When artist and interior designer the late John Sutcliffe helped Tom Helme and James Finlay develop Farrow & Ball’s colour range, they outdid one another coming up with hilarious monikers (today, the much tamer Sutcliffe Green is named in his honour).
-
2 weeks ago |
countrylife.co.uk | Amie Elizabeth White |Rosie Paterson
In the late 1820s, friends Charles Merivale of St John’s, Cambridge, and Charles Wordsworth (nephew of William) of Christ Church College, Oxford, went rowing on the River Cam. The outing inspired them to found a competition and, in February 1829, the Cambridge University Boat Club sent a letter to ‘hereby challenge the University of Oxford to row a match... each in an eight-oared boat during the ensuing Easter vacation’.
-
1 month ago |
luxurylondon.co.uk | Amie Elizabeth White |Annie Lewis
In the mid-1920s, Gabrielle ‘Coco’ Chanel started a revolution. Already established as a fine couturier, known for elegant dresses, chic jersey sportswear and her Chanel No.5 perfume (the scent launched in 1921), it was the introduction of the tweed suit, first revealed in 1925 during a small show in her Rue de Cambon salon, and from 1927 showcased in her new boutique in London’s Mayfair, that put ‘Chanel’ on the lips of British high society’s most fashionable members.
-
1 month ago |
countrylife.co.uk | Rosie Paterson |Amie Elizabeth White
Paint the walls Dibber Paint is not normally headline-making news, but Farrow & Ball, best known for their peculiarly named pigments, has introduced 12 new shades — the first change to their very carefully curated palette (technically, nine new colours and three resurrected from the archive) since 2022. Designed to celebrate ‘unsung heroes in our homes’, colour curator Joa Studholme and creative director Charlotte Cosby looked to everyday household items for inspiration.
-
2 months ago |
countrylife.co.uk | Amie Elizabeth White |Rosie Paterson
The peak of Art Deco design (1910s-early 1930s) coincided with the advent of the Golden Age of Hollywood cinema (1930-1960s) — the former’s striking features and opulent materials creating a visually captivating environment that, when employed correctly, helped push cinema as an attractive and luxurious form of leisure.
Try JournoFinder For Free
Search and contact over 1M+ journalist profiles, browse 100M+ articles, and unlock powerful PR tools.
Start Your 7-Day Free Trial →