Articles

  • 2 weeks ago | popmatters.com | Ana Clara Ribeiro

    Despite the blistering heat on a Saturday night in December 2024, in the city of Belém, a buzzing crowd packed the grounds in front of the Güera Stage, one of the main attractions at Psica Festival — one of the most important music events in Brazil’s Amazonian region. Staff members warn fans to keep their distance from the barricades, as fireworks will be used during the show, further intensifying the sweltering atmosphere.

  • 1 month ago | wipo.int | Ana Clara Ribeiro

    K‑pop fans aren’t just consumers – they’re IP investigators who scan databases to determine their idols’ next moves. Meanwhile, the industry extends its IP strategy to capitalize on these super-engaged fandoms. In the music industry today, fandom is everything. “Superfan” is the latest buzzword, as artists and labels realize that loyal fans can be more valuable than hit songs. In the Republic of Korea, this is old news.

  • 2 months ago | remezcla.com | Ana Clara Ribeiro

    “Everybody deserves love, even a pop star,” Liniker sings in “POPSTAR,” a track off her 2024 album CAJU (cashew). If the Brazilian artist’s new phase leaves any room for doubts that she’s indeed embodying the pop star persona, the lyric is explicit about it. Ten years after her debut in the music industry as the lead singer of the R&B band Liniker e os Caramelows, the singer, songwriter, actress, and producer is embracing all the creative liberties the label allows.

  • Feb 5, 2025 | popmatters.com | Ana Clara Ribeiro

    History tends to repeat itself when it comes to music genres being disrupted by technology. Be it for the replacement of real musicians for machines or the simplification of the sound, the “electronic” version of music genres often faces resistance and prejudice. The narrative was no different with Brazil’s beloved forró, the genre born in the country’s Northeastern backlands whose instrumentals are marked by the combination of accordion, zabumba, and triangle.

  • Feb 3, 2025 | remezcla.com | Ana Clara Ribeiro

    Between Beyoncé finally winning Album of the Year and The Weeknd reconciling with the Recording Academy, the 2025 Grammy Awards seemed to right many past wrongs. However, one glaring detail revealed that fairness still has its limits. Despite being nominated for Best Jazz Vocal Album for Milton + Esperanza alongside Esperanza Spalding, Brazilian music legend Milton Nascimento was not given a seat among the main tables at the Crypto.com Arena—unlike Spalding.