Articles

  • Jan 12, 2025 | lrb.co.uk | Anahid Nersessian

    On Monday, 6 January, the National Weather Service warned Los Angeles residents of high Santa Ana winds. The Santa Anas stir in the deserts of Southern California, rush up over the mountain ranges that separate the high, dry inland regions from the coast, and then surge, hot and blustering down towards the ocean. They often come in autumn but can strike at any time, drying out the air and cloaking the city in a shroud of brown dust. Often the Santa Anas pass without incident if not without notice.

  • Jan 12, 2025 | parapraxismagazine.com | Anahid Nersessian

    The following quiz is meant to be both funny and provocative. Each question invited seminar participants to reframe their erotic attitudes through another person’s language, by choosing or otherwise responding to a quotation from a poetic or theoretical text as if it were an expression or encapsulation of the participant’s own beliefs.

  • Dec 13, 2024 | nybooks.com | Anahid Nersessian

    The American Academy of Arts and Letters sits at the back of Audubon Terrace in Washington Heights, flanked by Boricua College and the Hispanic Society Library and Museum. It is one of eight Beaux Arts buildings tucked into this beautiful and disorienting pocket of Manhattan, where the names of Spanish writers, artists, and conquistadors—Cervantes, Velazquez, Columbus, Balboa—are carved into the friezes and a giant bronze sculpture of El Cid dominates the plaza.

  • Oct 25, 2024 | nybooks.com | Anahid Nersessian

    In 1598 the world’s first opera, Dafne, was composed by Jacopo Peri and Ottavio Rinuccini, who based his libretto on an earlier one: “Combattimento di Apollo col serpente Pitone.” The “Combattimento” had been performed nine years before as an intermedio during the marriage celebration of Ferdinando I de’ Medici and Cristina di Lorena in Florence.

  • Oct 16, 2024 | newyorker.com | Anahid Nersessian

    On March 1, 2020, roughly two weeks before the COVID lockdown began in France, the French writer and filmmaker Virginie Despentes published an essay in the left-leaning paper Libération.

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