
Andrew Larkin
Contributor at Bachtrack
Articles
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1 month ago |
bachtrack.com | Andrew Larkin
A fully staged Wagner opera in Ireland is as rare as a phoenix’s feather. The Flying Dutchman, which opened last night, marked a thrilling first for the Irish National Opera, the company’s inaugural venture into the Wagnerian repertoire, co-produced with Garsington Opera. Remarkably, the last Wagner opera staged in Ireland was more than 13 years ago.
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1 month ago |
bachtrack.com | Andrew Larkin
In commemoration of the 150th anniversary of Maurice Ravel’s birth, this evening’s concert by the National Symphony Orchestra offered a fitting tribute to the French master, with a programme entirely devoted to his work. While the piano, so central to Ravel’s output, was notably absent from the performance, several of the pieces were orchestrations of earlier piano works, such as the Ma mère l’Oye suite, La Valse and Alborada del gracioso.
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1 month ago |
bachtrack.com | Andrew Larkin
In a concert teeming with superlatives, pianist Alice Sara Ott proved that even the most seasoned of artists still have the capacity to surprise. The first shock came before the concert had begun: a terse announcement that there would be no printed programme. Cue for rising anxiety on whether I would recognise all the pieces. The second surprise was the discalced soloist.
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2 months ago |
bachtrack.com | Andrew Larkin
This concert was an exploration of contrasting worlds, a journey that moved from intimate, ethereal contemplation to grand, unbridled romanticism. Lina González-Granados conducted proceedings with a confident hand, though her comfort zone seemed less at ease in the nebulous textures of Debussy and Stephen McNeff the first half, she fully embraced the sweeping emotionality of Rachmaninov after the interval, leading the NSO with passion and energy in Rachmaninov's Second Symphony.
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Jan 19, 2025 |
bachtrack.com | Andrew Larkin
Two iconic Russian compositions, penned just 40 years apart, offer a striking contrast of musical temperaments: Rachmaninov’s beloved Second Piano Concerto, with its lush, sweeping romanticism, and Shostakovich’s Seventh Symphony, a harrowing wartime anthem forged in the crucible of Leningrad under siege. Together, they represent the breadth of Russian music, from soulful yearning to blistering defiance.
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Delayed baggage by a week thanks to the incompetent #KLM. Can't bring daughter in her buggy coz it's at #DublinAirport No response from phone or email.

A humorous and entertaining *Hansel and Gretel* in Dublin https://t.co/Csc9HJBRUV via @bachtrack

Superlative Celine Byrne makes INO's Butterfly a memorable experience https://t.co/9AxD1xHIFb via @bachtrack