Articles

  • Jan 20, 2025 | thequietus.com | Andrzej Tichý |Bobby Barry |J.R. Moores

    “. . . if anything weighty happens in my life, the last thing I want to do is write a song about it,” Stuart Braithwaite told The Herald in 2003. Discussing Mogwai’s fourth album, Happy Songs For Happy People, the man sometimes known as “Plasmatron” denied the tracks had been written about anything, per se. It was open to the individual’s interpretation regarding which numbers were happy tunes, or sad ones, or evocative of any emotions between.

  • Aug 6, 2024 | msn.com | Andrzej Tichý

    Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.

  • Aug 6, 2024 | thestar.co.uk | Andrzej Tichý

    The Sheffield Telegraph publishes here an exclusive extract from Purity, the debut collection of stories by the acclaimed Swedish writer Andrzej Tichý, translated into English by Nichola Smalley. His debut novel Wretchedness, a polyphonic reckoning with race, class and belonging in contemporary Sweden was longlisted for the International Booker Prize.

  • May 30, 2024 | sydsvenskan.se | Andrzej Tichý

    Israel–PalestinaAndrzej Tichý skriver om Palestina, protester, platser och principer. En nyskriven dikt som tar avstamp mitt i ett historiskt skeende. Öppna bild i helskärmslägeAndrzej Tichý är författare, bosatt i Malmö. 2021 tilldelades han Sydsvenskans kulturpris. Att tänka fritt är stort,ja vad skulle kunna vara större? Att tänka friare? Friast? Tänk att vara så friatt ingenting kan störa en,röra en eller beröra en? Tänk att vara den första,sista och enda röraren.

  • Apr 17, 2023 | thequietus.com | Andrzej Tichý |Jakub Knera

    I would venture to say there has not been a (film) composer in Poland with such broad stylistic and genre horizons as Andrzej Korzyński. A cursory glance at his oeuvre is enough to confirm this, especially if we examine how his work flourished behind the Iron Curtain. By creating music for TV and Film, Korzyński was given access to a wide range of technology which other musicians were denied. Much of this technology would even have been unaffordable for unsubsidized Western composers.

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