
Anthony Daniels
Articles
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1 month ago |
newcriterion.com | Victor Davis Hanson |Aleksandr Solzhenitsyn |Anthony Daniels |David Pryce-Jones
The Vienna Philharmonic has completed its annual residency at Carnegie Hall—three concerts. The last was yesterday afternoon. On the podium, for all three concerts, was Riccardo Muti, the Italian maestro. He has conducted the Vienna Phil for, I believe, fifty-five straight seasons. Is that a record? We’ll have to consult the musical statisticians. From New York, the Philharmonic will travel, or has traveled, to California, for concerts under the baton of a different maestro, Yannick Nézet-Séguin.
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2 months ago |
newcriterion.com | Victor Davis Hanson |Aleksandr Solzhenitsyn |Anthony Daniels |David Pryce-Jones
Anthony Eden was the ultimate glamour boy of mid-twentieth-century British politics. His father was a baronet with a substantial estate in County Durham in the northeast of England; his mother was a society beauty from the Grey family, who were magnates in neighboring Northumberland. Eden’s cabinet colleague and occasional rival R. A.
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2 months ago |
newcriterion.com | Victor Davis Hanson |Aleksandr Solzhenitsyn |Anthony Daniels |David Pryce-Jones
On the edge of Potsdam’s Old Market Square early on a sleepy Sunday morning, a sizable line was already forming outside the Museum Barberini waiting for its doors to open.
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2 months ago |
newcriterion.com | Victor Davis Hanson |Aleksandr Solzhenitsyn |Anthony Daniels |David Pryce-Jones
Samuel Johnson famously enjoined his friend James Boswell to “clear your mind of cant” lest meaningless phrases lead to foolish thinking. The critic and lexicographer had defined “cant” as both “a whining pretension to goodness” and “barbarous jargon,” with Jonathan Swift enlisted to describe it as “the most ruinous corruption in any language.” Few spaces today are more ridden with cant than academic scholarship.
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2 months ago |
newcriterion.com | Victor Davis Hanson |Anthony Daniels |Eric Ormsby |James Panero
Yesterday afternoon, in Alice Tully Hall, the Chamber Music Society of Lincoln Center offered a concert of Beethoven and Bruckner. Bruckner, in a chamber concert? Yes. More on that in due course. The first half of the concert comprised two Beethoven sonatas. Our opening sonata was that for cello and piano in A major, Op. 69. The cellist: Amanda Forsyth, a Canadian. The pianist: Shai Wosner, from Israel. Both of these have long experience in chamber music (and other music).
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