Antony Zacharias

1 month ago | all-about-photo.com | Sandrine Hermand-Grisel |Diana Markosian |Pedro Jarque Krebs |Antony Zacharias

João Coelho João CoelhoI was born in Angola, but the upheavals that preceded and followed the country's independence process forced my family to emigrate to Portugal, where I lived until about 15 years ago. My passion for photography was born in his teenage years, with a focus on landscapes and portraits.

1 month ago | all-about-photo.com | Sandrine Hermand-Grisel |Diana Markosian |Pedro Jarque Krebs |Antony Zacharias

Shinji IsobeI began exploring street photography in 2009, drawn to the spontaneous energy and unfiltered moments of everyday life. Over time, my practice evolved to include documentary photography, especially while traveling across Asia, where I became deeply interested in capturing the nuances of different cultures, urban environments, and human interactions. My work often focuses on the quiet, often overlooked details that speak to broader social or emotional truths.

1 month ago | all-about-photo.com | Sandrine Hermand-Grisel |Diana Markosian |Pedro Jarque Krebs |Antony Zacharias

This year’s winners offer a striking cross-section of contemporary photography. From deeply personal moments to urgent social commentary, from the raw beauty of the natural world to bold conceptual explorations, each image tells a compelling story. Together, they form a powerful collective portrait of our times—complex, emotional, and constantly evolving. What sets these photographs apart is not only their technical excellence but their ability to connect.

1 month ago | all-about-photo.com | Sandrine Hermand-Grisel |Diana Markosian |Pedro Jarque Krebs |Antony Zacharias

Publisher : Aperture2024 | 144 pagesDiana Markosian’s Father is an intimate and engrossing diaristic portrayal of estrangement and reconnection, recounted through documentary photographs, family snapshots, text, and visual ephemera. Diana Markosian: Father presents the photographer’s journey to another place and another time, where Markosian attempts to piece together an image of a familiar stranger—her long-lost father.