Anupama Chopra
Editor at The Hollywood Reporter India
Editor at The Hollywood Reporter India. Founder at Film Companion Studios
Articles
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2 weeks ago |
hollywoodreporter.com | Anupama Chopra
Right after the intermission, Thug Life takes a plot turn so rushed and so implausible that even a directing maestro like Mani Ratnam and an acting legend like Kamal Haasan, reuniting 38 years after the landmark hit Nayakan, can’t make it work. From there, the film slowly derails. Emotions take a backseat to action. Hurried explanations for what we see are provided via exposition or voiceover. Logic exits the frame.
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2 weeks ago |
yahoo.com | Anupama Chopra
Right after the intermission, Thug Life takes a plot turn so rushed and so implausible that even a directing maestro like Mani Ratnam and an acting legend like Kamal Haasan, reuniting 38 years after the landmark hit Nayakan, can’t make it work. From there, the film slowly derails. Emotions take a backseat to action. Hurried explanations for what we see are provided via exposition or voiceover. Logic exits the frame.
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1 month ago |
hollywoodreporterindia.com | Anupama Chopra
The film is made with such precision, beauty, and emotion, built on strong writing (the screenplay is by Neeraj) and superb performancesShare on WhatsappShare on FacebookShare on XCopy linkThe bonds between men constitute a sub-genre in Indian cinema. From Anand to Sholay to Dil Chahta Hai to Pyaar Ka Punchnama, these friendships have beguiled generations of viewers.
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1 month ago |
hollywoodreporterindia.com | Anupama Chopra
Nouvelle Vague (New Wave) is about the making of Jean-Luc Godard’s 1960 classic Breathless— a watershed film in the French New Wave movement. Richard Linklater, one of America’s greatest living directors, pays homage to Breathless and that incredible moment in film history by making a film in black and white, in the same aspect ratio, and in French.
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1 month ago |
hollywoodreporterindia.com | Anupama Chopra
In May 2020 (the early days of the pandemic), a mayor and a sheriff in a fictional small town in New Mexico called Eddington, are in a face-off that ends in mayhem and dead bodies — as it must because this is an Ari Aster film.
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