
Ashleigh Kane
Arts and Photography Editor-at-Large at Dazed Magazine
Writer, Curator, Creative Consultant. Arts & Photography Editor-At-Large @Dazed. Art Buyer @thursdayschildglobal. Represented by @CrumbAgency_
Articles
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4 weeks ago |
dazeddigital.com | Ashleigh Kane
From long-overdue feminist retrospectives to tender one-night-only screenings, April’s got the full spectrum. Whether you’re roaming the echo of revolution with Nazanin Noori, taking pause inside Jeano Edwards’ dreamy new film, or catching Steve McQueen’s photography-led exhibition Resistance in its final months, this April is all about reflection, rupture and reckoning. Come for the quiet hauntings, stay for the collective calls to action.
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1 month ago |
anothermag.com | Ashleigh Kane |TextAshleigh Kane
In the new issue of AnOther Magazine, Hew Locke talks about how his childhood Christmases in Guyana watching masquerade bands inspires his artwork This article is taken from the Spring/Summer 2025 issue of AnOther Magazine:“Christmas in Guyana wasn’t complete without a masquerade band. You would hear it coming in the distance – the high-pitched sound of a fife and a small snare drum. The band would move through the local area, going to places they knew they’d be welcome and could make some money.
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1 month ago |
dazeddigital.com | Ashleigh Kane
This month’s exhibitions delve into the complexities of identity, resistance, and transformation, redefining how art can respond to our ever-shifting cultural and political landscapes.
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2 months ago |
dazeddigital.com | Ashleigh Kane
Cultural reflection, boundary-pushing artworks and thought-provoking narratives define this month’s shows – from a celebration of the late iconoclast Leigh Bowery’s radical self-expression at Tate Modern, to the poignant explorations of grief and resilience in Palestinian-Dutch photographer Sakir Khader’s Yawm al-Firak solo exhibition at Foam.
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Dec 25, 2024 |
dazeddigital.com | Ashleigh Kane
The New Year starts with a bang! Expect exhibitions that push boundaries and explore urgent themes, from Alex Margo Arden’s Safety Curtain at Auto Italia, questioning the politics of protest and value in art institutions, to Prem Sahib’s deeply personal tribute to London’s queer spaces at Studio Voltaire.
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