Audrey N. Carpio

1 week ago | vogue.ph | Audrey N. Carpio

There’s a surgical precision to the way the knife is impaled in the center of the fruit, leaving it intact. Rather than slicing through the flesh, as a knife is supposed to do, it becomes part of the fruit, embedded in an assemblage of steel, skin, and wood. Dr. Benjamin Campomanes “Death to Fruits” series approaches classical still life composition with a contemporary, minimalist edge, conveying the sense of mortality in a memento mori.

2 months ago | vogue.ph | Audrey N. Carpio

Pom Klementieff, real-life badass, has just leapt out of a hot air balloon thousands of feet above the valley of Perris, California. Against the bright stripes of the balloon, Klementieff appears to be falling upward, almost levitating, her eyes closing in transcendence. But she was fully in the present, aware of every moment. The balloon had drifted beyond the designated drop zone, and Klementieff had to make a quick decision once she pulled the parachute.

2 months ago | vogue.de | Audrey N. Carpio

Jane Goodall: Ihre Mission für eine bessere Welt ist ein HerzensprojektDrei Monate waren in Tansania vergangen, und Jane Goodall war noch nicht einmal in die Nähe eines Schimpansen gekommen. Ihre lang ersehnte Reise nach Afrika, um Tiere in freier Wildbahn zu studieren, hatte einen schwierigen Start – mit Rückschlägen durch Konflikte in den Dörfern, Malaria-Anfällen und der allgemeinen Zurückhaltung der Schimpansen, die jedes Mal flohen, wenn sie Goodall und ihre Leute näher kommen sahen.

Mar 29, 2025 | vogue.ph | Audrey N. Carpio

How a photograph of a 76-year-old Filipina woman and her granddaughter, a junior surf champ from Baler, ended up in the Maritime Museum of Barcelona has a back story that spans over a century. Lines that are traced through history run more like ocean currents that circle the globe, pulled and pushed by trade winds, carrying life across vast distances, and bridging together distant shores.

Mar 29, 2025 | vogue.ph | Audrey N. Carpio |Artu Nepomuceno

Three months had passed in Tanzania and Jane Goodall hadn’t even come close to a chimpanzee. Her long-dreamt trip to Africa to study animals in the wild was off to a rough start, with setbacks caused by village conflicts, bouts of malaria, and the general reticence of the chimpanzees, who would flee whenever they saw Goodall and her scouts approach. With only a couple of months left before her funds ran out, the 26-year-old British would-be scientist was growing anxious and impatient.