
Avra Margariti
Articles
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Aug 14, 2024 |
psychopomp.com | Avra Margariti
Feminine rage is all the rage! At least according to the countless Goodreads shelves and reading lists that illuminate this publishing phenomenon. Woman serial killers, egomaniac anti-heroines with internal monologues and ethics à la Hannibal Lecter, Dexter, or Norman Bates, girl meets boy/girl chases boy/girl hurts boy narratives in a reversal of the familiar gender roles.
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Jul 17, 2024 |
psychopomp.com | Avra Margariti
Have you have ever wondered why the dark and horror literature written or published during the Victorian era is so potent? Rain-slick cobblestone shining wet with the spill of blood as an unseen supernatural force follows your every footstep; vampire castles, windy moors, and dilapidated mansions crumbling under the weight of terrible family secrets like a near-palpable sickness; mystery, madness and terrible curses that make one question the inner workings of both body and mind.
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Jun 17, 2024 |
psychopomp.com | Avra Margariti
Canines and talons and beaks. Prowling, biting, clawing. A pair of red eyes in a field, a fin disappearing underwater, a blackbird’s caw of doom. Animal imagery is used in horror often to increase the fear factor through humanity’s natural fear of predator species and the wild unknown. Sometimes it goes even deeper than that, past base instinct, to a many-layered symbolism that borrows its traits from the animal kingdom.
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Jun 12, 2024 |
havenspec.com | Avra Margariti
FICTIONBy Avra Margariti in Issue Fifteen, May 20241. You were cruel when we first met. It would have been easy to claim I was sleepwalking, under yourcompulsion. But the truth was, I sought you out that midwinter night,in my spiderweb-flimsy nightgown and bruised, bare feet, chasing aftera woodland vista I was taught through catechisms and beatings alwaysto avoid. I left my bed in the smallest of hours despite parents andpriests cautioning I stay away from the Erl-Queen's territory.
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May 16, 2024 |
psychopomp.com | Avra Margariti
Vampires or other blood-drinkers are popular creatures to appear in movies. Once, vampire horror was a social commentary on wealth, power, and decadence sucking people dry. Then, media depictions turned toward the erotic, a representation of forbidden desires and transgression given voice through sensuality and blood splattered artistically on the screen. But what about the art wave of the sad vampires? Immortality as a curse or illness, an obstacle to building meaningful human relations?
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