
Aysegul Savas
None at The Paris Review
Articles
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Dec 10, 2024 |
yalereview.org | Aysegul Savas
Ayşegül Savaş I was sitting in a wine bar waiting for my date when I heard the two women next to me speaking Turkish. My date—it would be our first meeting—had texted to say that he’d be at least thirty minutes late. I considered telling him not to bother, then changed my mind, fearing that I might miss a chance. I pretended to read my book while I listened to the women’s conversation. It was such a pleasure to hear my native tongue.
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Dec 6, 2024 |
themillions.com | Aysegul Savas
Earlier this year, I stopped writing down the titles of the books I read. It seemed that I had been living one drawn-out period—a very long day—because I have a baby and the days repeat, in strict routine and exhaustion, and also because I have spent a good amount of this year watching the killing of babies and their parents and grandparents and aunts and uncles and cousins, repeatedly, in always the same circumstances of seeking shelter or fleeing or lining up for aid.
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Dec 6, 2024 |
everand.com | Aysegul Savas
Earlier this year, I stopped writing down the titles of the books I read. It seemed that I had been living one drawn-out period—a very long day—because I have a baby and the days repeat, in strict routine and exhaustion, and also because I have spent a good amount of this year watching the killing of babies and their parents and grandparents and aunts and uncles and cousins, repeatedly, in always the same circumstances
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Nov 13, 2024 |
time.com | Shannon Carlin |Aysegul Savas
These are independent reviews of the products mentioned, but TIME receives a commission when purchases are made through affiliate links at no additional cost to the purchaser. By Shannon CarlinNovember 13, 2024 8:16 AM ESTAn idealistic couple’s hunt for a new apartment becomes the catalyst for a quarter-life crisis in Ayşegül Savaş’s insightful third novel.
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Aug 3, 2024 |
bookreporter.com | Aysegul Savas
I’ve been reading a lot of lengthy books this summer. So picking up Ayşegül Savaş’ THE ANTHROPOLOGISTS, at a mere 186 pages, felt like a chance to take a breath and dip into prose at a different, more intimate scale. Further enhancing this feeling of intimacy are the novel’s divisions into short sections. They often consist of just a paragraph or two, each one a moment of observation or realization, an anecdote or merely an image.
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