
Baradwaj Rangan
Editor-in-Chief at Galatta Media
National Award-winning film critic. Author (Conversations with Mani Ratnam, Dispatches from the Wall Corner). Editor-in-Chief, Galatta Plus.
Articles
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1 month ago |
galattaplus.com | Baradwaj Rangan
Harshad Nalawade’s ‘Follower’ is a superbly crafted drama about the Kannadiga-Marathi conflict in BelgaumNow in theatres, this Marathi (with Kannada and Hindi) feature world-premiered at the 2023 Rotterdam Film Festival. It shows how an ordinary man transforms into a “hater”. The rest of this review may contain spoilers. Harshad Nalawade’s story is set in Belgaum, a largely Marathi-speaking district that was pushed into the border region of Karnataka in the 1950s, when maps were being redrawn.
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1 month ago |
galattaplus.com | Baradwaj Rangan
Kunchacko Boban gives a strong central performance, and the technical departments pitch in, too. But the writing remains superficial. The rest of this review may contain spoilers. There’s a fabulous shot that opens Officer On Duty. It’s a single take, and we find ourselves looking at a man who’s seated at his desk. As the camera moves back, the man rises. We see he is wearing a police uniform, but only the shirt.
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1 month ago |
baradwajrangan.wordpress.com | Baradwaj Rangan
The film’s success is in blending teen angst into the glossy format of a ‘Kuch Kuch Hota Hai’. Ibrahim Ali Khan makes a not-bad debut, while Khushi Kapoor really nails her part. The rest of this review may contain spoilers. A few minutes into Nadaaniyaan, I felt this was not going to be my kind of movie.
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1 month ago |
galattaplus.com | Baradwaj Rangan
Like ‘The Great Indian Kitchen’, this film shows us a patriarchal way of functioning we’ve always been aware of, but the girl’s POV makes the situations fresh and new. The rest of this review may contain spoilers. A friend of mine said yes to the very first girl he met in an arranged-marriage situation, when the two families met and a decision had to be made by the boy’s family.
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1 month ago |
galattaplus.com | Baradwaj Rangan
This Kannada feature is not exactly a coming-of-age movie. It’s more like a bunch of X-rays that lay bare the workings of a mind grappling with the aftermath of a tragedy. The rest of this review may contain spoilers. The opening shot of Mithya is that of a boy standing by the doorway of a train compartment. Outside this doorway, scenes of untamed Nature fly by. Inside the doorway is the comfort of berths and other people. The boy is neither here, nor there.
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