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  • Dec 1, 2024 | dctheaterarts.org | William Powell |" “Barefoot

    What if Mr. Ebenezer Scrooge from Charles Dickens’ A Christmas Carol turned stingy and mean again? What if he charged the Ghost of Christmas Past, the Ghost of Christmas Present, and the Ghost of Christmas Future with kidnapping, breaking and entering, attempted murder, and theft in a court of law? What if Scrooge was his own attorney in the trial? The Port Tobacco Players’ The Trial of Ebenezer Scrooge hilariously explores these questions.

  • Oct 28, 2024 | dctheaterarts.org | William Powell |" “Barefoot

    “Ride of the Valkyries” by Richard Wagner gives me a rush of adrenaline like no other. For years I’ve enjoyed various incarnations of the song, including a rock and a Western version. The song set the stage for actor Robert Duvall’s line “I love the smell of napalm in the morning” in the film Apocalypse Now. Many years ago, that song inspired me to listen to more of the hypnotic music of the incomparable Richard Wagner (pronounced REE-card VAHG-ner). I sought out and watched some of his operas.

  • Oct 21, 2024 | dctheaterarts.org | William Powell |" “Barefoot

    Eva Perón was an amazing woman. In her 33 years, she rose from a poor girl to a radio and film star and eventually became the First Lady of Argentina. She’s remembered for her campaigns for women’s suffrage and advocating for the poor. To this day there is an ideology called Peronism. With music by Andrew Lloyd Webber and lyrics by Tim Rice, Silhouette Stages’ Evita is a smash.

  • Sep 30, 2024 | dctheaterarts.org | William Powell |" “Barefoot

    Times and opinions change. There is a concept in political science known as the Overton window. It refers to the range of acceptable ideas the public is willing to adopt. The window changes over time so that once-fringe ideas become mainstream. It’s a concept that shows that political opinion is often contextual. This concept provides a lens through which to look at Eisenhower: This Piece of Ground at Olney Theatre Center.

  • Sep 22, 2024 | dctheaterarts.org | William Powell |Ira Levin |" “Barefoot

    Veronica’s Room mucks with your head and turns it inside out. It makes you think about the nature of reality. It disturbs, rattles, and puzzles. It makes you think about false memories and simulations. It’s a deep psychological horror. In a Boston café in 1973, a young woman called “The Girl” aka Susan (Becca Korn) and her date, “Young Man” (Christopher S. Reed), encounter an elderly Irish couple, “The Man” (Vince Terlep) and “The Woman” (Hillary Mazur).

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