Bee Delores

2 days ago | bloody-disgusting.com | Bee Delores

The Devil and the Daylong Brothers snuck onto my radar last month. A musical/thriller, it’s likely one you’ve never even heard of, but it’s among the year’s best films. Writer/director Brandon McCormick, who co-wrote the script with Nicholas Kirk, stages an epic cross-country search for the devil. Three brothers – Enoch (Nican Robinson), Ish (Brendan Bradley), and Abe (Jordon Bolden) – have had their souls ripped from their bodies and sold by their father.

1 week ago | collider.com | Bee Delores

Filmmakers have long studied the plight of womanhood in horror movies. 1944’s Gaslight and Cat People (1942) are early examples of the suppression of a woman’s identity and agency. Through the decades, the conversation has shifted tremendously to explore stories of empowerment in the face of the patriarchy – from The Witch to A Girl Walks Home Alone at Night.

1 week ago | collider.com | Bee Delores

Horror movies and thrillers have long captured the dangers of toxic fandom. From The Fan to Misery, genre films explore the delicate balance between fan obsession and full-blown delusion. In the digital age, the relationships between fans and celebrities continue to blur, further amplifying parasocial relationships. It’s one thing to have favorite stars in pop music, film, or television; it’s another to invent an entire relationship that doesn’t exist.

1 week ago | collider.com | Bee Delores

We’re in the midst of a full-blown slasher renaissance. From Heart Eyes to Terrifier 3 and a host of indie features like Bloody Axe Wound, the genre hasn’t felt this alive since the aftermath of 1996’s Scream genre reset. These days, you have to do something completely different from the norm to truly stand out from the pack. For example, Bone Face wrapped in whodunit conventions, and Totally Killer went all in on its Back to the Future approach.

2 weeks ago | thebluegrasssituation.com | Bee Delores |Justin Hiltner

Palmyra is a bit restless. Their emotions knot into a mangled ball, almost suffocating them. “Early hours in the morning, tossing and turning/ Everyone else in this house is asleep,” Sasha Landon pours into the microphone. “Palm Readers” emerges integral to the band’s new musical chapter. Aptly titled Restless, this album marks their debut with Oh Boy Records. It’s like reintroducing themselves to the world. The trio – rounded out with Teddy Chipouras and Mānoa Bell – pounces from the get-go.