Bee Delores

1 month ago | thebluegrasssituation.com | Bee Delores |Justin Hiltner

Palmyra is a bit restless. Their emotions knot into a mangled ball, almost suffocating them. “Early hours in the morning, tossing and turning/ Everyone else in this house is asleep,” Sasha Landon pours into the microphone. “Palm Readers” emerges integral to the band’s new musical chapter. Aptly titled Restless, this album marks their debut with Oh Boy Records. It’s like reintroducing themselves to the world. The trio – rounded out with Teddy Chipouras and Mānoa Bell – pounces from the get-go.

1 month ago | collider.com | Bee Delores

Horror has supplied plenty of strong female leads over the decades. From such classics as Rosemary’s Baby and Halloween to modern entries like Run Sweetheart Run and Promising Young Woman, the genre gives women the agency to fend off their monsters with wit and physical gumption. When you examine the modern landscape, one particular woman in horror leaps to mind when discussing the strong female archetype.

1 month ago | bloody-disgusting.com | Bee Delores

If you grew up in the ‘80s, you might recall the Stranger Danger Panic that ignited after Etan Patz’s abduction in 1979 and the kidnapping/murder of Adam Walsh two years later. Collective fear reached such a fevered pitch that kids’ faces were soon plastered all over milk cartons and then-President Ronald Reagan signed the Missing Children Act and the Missing Children’s Assistance Act.

1 month ago | collider.com | Bee Delores |Michael Horn

When you think classic whodunits, Clue likely tops your list. A horror-adjacent mystery wrapped in outlandish characters, murder, and confusion, the 1985 film perfected the art of the whodunit – a style of storytelling in which the characters discover clues and must uncover the culprit. In similar fashion, the indie film Bone Face captures the essence of Clue, with its puzzling story, colorful cast, and murder spree.

1 month ago | collider.com | Bee Delores

Every found footage fan knows the genre shifted on its axis with 1999’s The Blair Witch Project. Borrowing foundational elements from The McPherson Tape (UFO Abduction) and Cannibal Holocaust, it set horror on a course for reinvention, unlike anything we’d ever seen. The marketing campaign surrounding the release made the indie film feel so hauntingly real and positioned the events as an actual disappearance.