Articles

  • 2 weeks ago | floodmagazine.com | Bee Delores

    When you give yourself over to Ryan Coogler’s Sinners, it’s a holy experience. The film not only moved viewers on an emotional level, but it shifted the earth underneath our feet, culturally speaking. It was almost instantaneous—a feeling that we were experiencing a vital benchmark forming. It’s no surprise that the film vaulted over the $300 million mark in box office receipts globally after just five weekends in theaters.

  • 3 weeks ago | dreadcentral.com | Bee Delores

    When you think of screenlife horror, films like Unfriended and its sequel likely pop into your head first. The well-tapped genre, which also features such standouts as Host, gets a welcome addition with Gary Francis Roche’s demo_n. The film (now streaming on Found TV) sees a similar set-up as Deadware and Livescream with a guy checking out a horror video game for the first time.

  • 1 month ago | bloody-disgusting.com | Bee Delores

    The Devil and the Daylong Brothers snuck onto my radar last month. A musical/thriller, it’s likely one you’ve never even heard of, but it’s among the year’s best films. Writer/director Brandon McCormick, who co-wrote the script with Nicholas Kirk, stages an epic cross-country search for the devil. Three brothers – Enoch (Nican Robinson), Ish (Brendan Bradley), and Abe (Jordon Bolden) – have had their souls ripped from their bodies and sold by their father.

  • 1 month ago | collider.com | Bee Delores

    Filmmakers have long studied the plight of womanhood in horror movies. 1944’s Gaslight and Cat People (1942) are early examples of the suppression of a woman’s identity and agency. Through the decades, the conversation has shifted tremendously to explore stories of empowerment in the face of the patriarchy – from The Witch to A Girl Walks Home Alone at Night.

  • 1 month ago | collider.com | Bee Delores

    Horror movies and thrillers have long captured the dangers of toxic fandom. From The Fan to Misery, genre films explore the delicate balance between fan obsession and full-blown delusion. In the digital age, the relationships between fans and celebrities continue to blur, further amplifying parasocial relationships. It’s one thing to have favorite stars in pop music, film, or television; it’s another to invent an entire relationship that doesn’t exist.

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