Articles

  • 3 weeks ago | artsfuse.org | Rob Duguay |Bill Marx

    By Rob DuguayChicago singer-songwriter and pianist Neal Francis has been riding a smooth retro groove since the late 2010s, thanks to his stellar fusion of funk, soul, R&B, and psychedelic rock — nostalgic musical dives into an era when the chic sported bell bottoms and afros. He continues this creative approach with his third studio album, Return To Zero, on ATO Records. As part of his tour supporting the release, Francis and his band will be performing at The Sinclair in Cambridge on March 26.

  • Dec 5, 2024 | artsfuse.org | Ralph P. Locke |Bill Marx

    By Ralph LockeThe opera repertory is so much richer than what gets staged nowadays; many of the most exciting recordings that came my way are of somewhat or entirely forgotten operas from past eras. Once again, the past twelve months have seen an outpouring of fascinating and important recordings of operatic and other vocal works (and a few instrumental ones).

  • Dec 5, 2024 | artsfuse.org | Jason M. Rubin |Bill Marx

    By Jason M. RubinYou can get away with being familiar with just an album or two, but Laura Nyro’s music always rewards repeated listenings, and following her mercurial career so thoroughly restores her to three-dimensional life. It could be one of those late-night infomercials selling multi-CD sets of the greatest hits of all time.

  • Oct 26, 2024 | artsfuse.org | Peg Aloi |Bill Marx

    By Peg AloiAt the Woodstock Film Festival: the stunning documentary The Remarkable life of Ibelin and Mike Leigh’s rich and powerful Hard Truths. This is my first time covering the Woodstock Film Festival, although it is located only an hour from where I live. Timing has been one of the reasons; the WFF usually takes place at the same time as the London Film Festival at the BFI, which I have covered for the Arts Fuse for the last several years.

  • Oct 26, 2024 | artsfuse.org | Scott McLennan |Bill Marx

    By Scott McLennanThanks in large part to the late Phil Lesh’s influence, the performances of the Grateful Dead developed a signature blend of composition and improvisation. The origins of the Grateful Dead were five musicians from different musical neighborhoods who found a common ground by developing a communal language that encouraged give and take.

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Bill Marx
Bill Marx @ArtsFuseEditor
9 Dec 22

RT @BootsRiley: New York Times workers are a one day strike. This is an outgrowth of the biggest strike wave the US has seen in 80 years-…

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Bill Marx @ArtsFuseEditor
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RT @professorjacko: ANVIL IS BACK https://t.co/TUAhT9Gy3Q

Bill Marx
Bill Marx @ArtsFuseEditor
25 Oct 22

RT @GrotonHillMusic: A fantastic opening weekend, and a super write up! Thanks to @glennrifkin and @theartsfuse! https://t.co/y64q0t6ftH