Bill Rosenblatt
Contributor at Forbes
President, GiantSteps Media Technology Strategies (https://t.co/AtFXR4log4); editor, https://t.co/ZZb1nMXThE; Forbes columnist (https://t.co/1JsPgPB6GU…).
Articles
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2 weeks ago |
cepa.org | Padraig Nolan |Ronan Murphy |Bill Rosenblatt |Kayvan Hazemi-Jebelli
Fintech startups depend on access to data in order to offer digital banking, mobile payments, peer-to-peer lending, investment platforms, and other new services. Banks often resist giving their account information to potential competitors. Both European and American regulators are considering new rules to resolve this standoff about data access that are diverging in style, scope, and ambition—and the outcome could redefine global fintech leadership.
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1 month ago |
cepa.org | Bill Rosenblatt |Andres Guadamuz |Seth Hays |Dyuti Pandya
No one knows how US courts will rule on the growing list of AI copyright lawsuits. It will be a long road. Copyright law often takes decades to adapt to new technologies; for example, more than a decade passed from the launch of the pioneering file-sharing music software Napster until courts shut down the last file-sharing service. Fewer than three years have passed since OpenAI launched ChatGPT. In the absence of legal clarity, licensing is racing ahead.
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1 month ago |
cepa.org | Andres Guadamuz |Bill Rosenblatt |Seth Hays |Dyuti Pandya
The status quo on AI and copyright in the UK is a lose-lose. Restrictive copyright laws have left AI developers unsure about how they can legally access training data and content creators worry their work is being used illegally. Prime Minister Keir Starmer wants to make the UK an AI “superpower.” Copyright presents a major hurdle. The UK government knows. In December, it announced plans to weaken copyright protections to encourage AI.
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1 month ago |
cepa.org | Andres Guadamuz |Bill Rosenblatt |Seth Hays |Dyuti Pandya
Bandwidth is CEPA’s online journal dedicated to advancing transatlantic cooperation on tech policy. All opinions are those of the author and do not necessarily represent the position or views of the institutions they represent or the Center for European Policy Analysis.
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1 month ago |
forbes.com | Bill Rosenblatt
The number of tracks available on music streaming services is shooting further and further into the stratosphere. Another number is growing as well: tracks that are uploaded and then never played. A 2024 year-end report from music data service Luminate shows that more than 200 million tracks are available on music services worldwide; yet new data from the streaming music service Deezer indicates that of the tens of millions of tracks uploaded in the past year, 78% of them have never been played.
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Agenda for Copyright and Technology 2023 is up: https://t.co/9oBVs9xKLG. Sept 14 at @FordhamLawNYC. @OpenAI GC @jasonkwon to keynote. I'm accepting speaking proposals for all panels; reply or DM me if interested. @TheCSUSA
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RT @TheCSUSA: Announcing Kris Ahrend, CEO of @MLC_US, as the keynote speaker for #Copyright+Tech on 9/13! Join us @FordhamLawNYC to hear hi…