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Billy Collins

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  • Sep 26, 2024 | winterparkmag.com | Billy Collins

    The PeacockI don’t know why the peacockcrossed this ordinarysuburban road, but it tookmuch longer than any sprinting chickenwould have, due to its substantial tailand royal, processional gait. Thus, the people in the head carswere able to follow its every stepuntil the long concluding plumage,with no reason to display its iridescentfan of eyes, was dragged over the far curb,wherever it happened to be heading—to India or ancient Java, I figured, before stepping on the gas.

  • Jun 24, 2024 | winterparkmag.com | Billy Collins

    It’s not often that we get to hear what our dog is thinking. Even more rare is to overhear a dog waxing philosophical as he contemplates his own mortality relative to his master’s. “We’re buying a heartache,” my father warned before he finally gave in to my entreaties to have a dog. The dog in the poem only wishes that his owner shares that awareness. Not much to ask, especially, as we already know, the dog is likely to go first through the final door.

  • Apr 10, 2024 | saipantribune.com | Billy Collins

    “So many of us streaming along—all of humanity, really—moving in perfect sync, yet each lost in the room of a perfect dream.” —excerpt from The Parade by Billy Collins, U.S. Poet Laureate 2001 to 2003.

  • Apr 1, 2024 | winterparkmag.com | Billy Collins

    Waterfalls don’t have stanza breaks or any final punctuation that would interfere with their falling. So in keeping with their unbroken continuousness, I rendered this particular falls in one stanza and, indeed, one long sentence. It’s a poem of direct observation until the point where I lose sight of the river as it continues on its way around a bend.

  • Jan 3, 2024 | winterparkmag.com | Billy Collins

    The small poem is as old as poetry itself, extendingfrom Martial’s 1st-century epigrams through Japanese haiku to the miniatures of today. Issa gives us: “don’t worry, spider/ I keep house/ casually.”Charles Simic has one titled “Evening Chess:” “The black Queen raised high/ in my father’s angry hand.” And here’s A. R. Ammons’s “Their Sex Life:” “One failure on/ top of another.” Such tiny verbal bursts radically exemplify poetry’s celebrated ability to fit large matter into small spaces.

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