
Articles
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1 week ago |
hollywoodreporter.com | Brian Davids
On the heels of Cobra Kai’s 65-episode run, Karate Kid: Legends director Jonathan Entwistle strived to restore the cinematic identity of the beloved franchise. The British filmmaker — who’s most known for helming idiosyncratic streaming series such as End of the F***ing World and I Am Not Okay With This — designed his feature directorial debut to unite Karate Kid and Cobra Kai fans from every generation.
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1 week ago |
hollywoodreporter.com | Brian Davids
48 hours after wrapping Cobra Kai in Atlanta, Ralph Macchio was right back where he started on the Montreal-based set of Karate Kid: Legends. Macchio stepped foot onto Legends’ version of the Mr. Miyagi house that he and Pat Morita made famous four decades earlier in John G. Avildsen’s The Karate Kid (1984). The original house in Canoga Park was demolished after production concluded on 1986’s The Karate Kid Part II, before being rebuilt at Warner Bros. Ranch for 1989’s Part III.
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1 week ago |
hollywoodreporter.com | Brian Davids
Danny and Michael Philippou had no shortage of opportunities coming out of 2023’s Talk to Me. Their feature directorial debut achieved critical and commercial success, grossing nearly $92 million against a $4.25 million budget. The former YouTubers behind RackaRacka not only received compliments from industry heavyweights such as Peter Jackson, Jordan Peele and Ari Aster, but they also booked general meetings all over town, including one with Marvel Studios.
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2 weeks ago |
hollywoodreporter.com | Brian Davids
Kate Mara was unacquainted with Tim Robinson’s brand of comedy when filmmaker Andrew DeYoung offered her the chance to star opposite the maestro of cringe in Friendship. Mara plays Tami Waterman, a loving mother, self-employed florist and cancer survivor who’s dangerously close to becoming Craig Waterman’s (Robinson) walkaway wife.
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2 weeks ago |
hollywoodreporter.com | Brian Davids
There’s a common sentiment in the Mission: Impossible franchise that accomplishing each movie is just as difficult as the mission on the screen. And Hayley Atwell now knows that firsthand after shooting 2023’s Dead Reckoning and this week’s The Final Reckoning in close succession.
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